
Balasaraswati, Madras, India, 1934
Source unknown. Retrieved from: http://thebestofhabibi.com/vol-16-no-3-fall-1997/indian-dance-aesthetics/
Centering Devadasis and Tawaifs
Balasaraswati, Madras, India, 1934
Source unknown. Retrieved from: http://thebestofhabibi.com/vol-16-no-3-fall-1997/indian-dance-aesthetics/
This article traces the gradual shift in connotation for the words ganewali and tawaif through the path of ganewalis and tawaifs both historical and fictional. However briefly, it touches upon courtesans such as Umrao Jaan and Begam Samru, as well as the activism of tawaifs. Readers may notice that it is limited in its references/citations.
A group of dancing girls, a postcard photo, late 1800’s
Source unknown. Retrieved via Wikimedia Commons .
A Muslim Nautch girl in Jaipur
Source unknown. Retrieved via Wikimedia Commons
A photo probably by Bourne, from the 1860’s.
Source unknown, Retrieved via Wikimedia Commons
Dancing Girl Photo from 1879
Source unknown. Retrieved via Wikimedia Commons
Nautch dancers in India, ca 1860-1870
Source: Royal Netherlands Institute of Southeast Asian and Caribbean Studies and Leiden University Library). Retrieved via Wikimedia Commons.
Nautch girls, Bombay
Source: ebay, Sept. 2007. Retrieved from columbia.edu.