Claire Scobie’s The Pagoda Tree was written alongside a very useful dissertation paper entitled “The Representation of the Figure of the Devadasi in European Travel Writing and Art from 1770 to 1820 with specific reference to Dutch writer Jacob Haafner.” Please see our citation for that paper, including a link to download the paper for free, by clicking here.
Summary from the Penguin website
Tamil Nadu, southern India, 1765. Maya plays among the towering granite temples in the ancient city of Tanjore.
Like her mother before her, she is destined to become a devadasi, a dancer for the temple. On the day of her initiation, a stranger arrives in town. Walter Sutcliffe, a black-frocked clergyman, strives to offer moral guidance to the British troops stationed in Tanjore, but is beset by his own demons.
When the British tear apart her princely kingdom, Maya heads to the steamy port city of Madras, where Thomas Pearce, an ambitious young Englishman, is entranced from the moment he first sees her.
The Pagoda Tree takes us deep into the heart of a country struggling under brutal occupation. As East and West collide, Walter Sutcliffe unknowingly plays the decisive card in Maya’s destiny.