{"id":259,"date":"2019-04-07T16:16:51","date_gmt":"2019-04-07T16:16:51","guid":{"rendered":"http:\/\/www.huronresearch.ca\/eng1\/?page_id=259"},"modified":"2019-04-07T17:02:52","modified_gmt":"2019-04-07T17:02:52","slug":"lyrical-ballads-1798","status":"publish","type":"page","link":"https:\/\/www.huronresearch.ca\/thedigitalrime\/lyrical-ballads-1798\/","title":{"rendered":"1798 Lyrical Ballads"},"content":{"rendered":"\n<style>\n\t#hotspot-158 .hotspots-image-container,\n\t#hotspot-158 .leaflet-container {\n\t\tbackground: #efefef\t}\n\n\t#hotspot-158 .hotspots-placeholder,\n\t.featherlight .featherlight-content.lightbox-158 {\n\t\tbackground: #ffffff;\n\t\tborder: 0 #ffffff solid;\n\t\tcolor: #000000;\n\t}\n\n\t#hotspot-158 .hotspot-title,\n\t#hotspot-158 .bc-product__title a,\n\t.featherlight .featherlight-content.lightbox-158 .hotspot-title,\n\t.featherlight .featherlight-content.lightbox-158 .bc-product__title a {\n\t\tcolor: #ffffff;\n\t}\n\n\t\t\t#hotspot-158 .hotspot-style-1 {\n\t\t\tstroke-width: 3;\n\t\t\tfill: #ffffff;\n\t\t\tfill-opacity: 0.81;\n\t\t\tstroke: #ffffff;\n\t\t\tstroke-opacity: 1.01;\n\t\t}\n\t\t#hotspot-158 .hotspot-style-1:hover,\n\t\t#hotspot-158 .hotspot-style-1:focus-visible,\n\t\t#hotspot-158 .hotspot-style-1.hotspot-active {\n\t\t\tfill: #ffffff;\n\t\t\tfill-opacity: 0.81;\n\t\t\toutline: none;\n\t\t\tstroke: #ffffff;\n\t\t\tstroke-opacity: 1.01;\n\t\t}\n\t\t\t#hotspot-158 .hotspot-default {\n\t\t\tstroke-width: 3;\n\t\t\tfill: #ffffff;\n\t\t\tfill-opacity: 0.01;\n\t\t\tstroke: #ff0000;\n\t\t\tstroke-opacity: 1.01;\n\t\t}\n\t\t#hotspot-158 .hotspot-default:hover,\n\t\t#hotspot-158 .hotspot-default:focus-visible,\n\t\t#hotspot-158 .hotspot-default.hotspot-active {\n\t\t\tfill: #ffffff;\n\t\t\tfill-opacity: 0.16;\n\t\t\toutline: none;\n\t\t\tstroke: #ff0000;\n\t\t\tstroke-opacity: 1.01;\n\t\t}\n\t\t#hotspot-158 .leaflet-tooltip,\n\t#hotspot-158 .leaflet-rrose-content-wrapper {\n\t\tbackground: #ffffff;\n\t\tborder-color: #ffffff;\n\t\tcolor: #000000;\n\t}\n\n\t#hotspot-158 a.leaflet-rrose-close-button {\n\t\tcolor: #ffffff;\n\t}\n\n\t#hotspot-158 .leaflet-rrose-tip {\n\t\tbackground: #ffffff;\n\t}\n\n\t#hotspot-158 .leaflet-popup-scrolled {\n\t\tborder-bottom-color: #000000;\n\t\tborder-top-color: #000000;\n\t}\n\n\t#hotspot-158 .leaflet-tooltip-top:before {\n\t\tborder-top-color: #ffffff;\n\t}\n\n\t#hotspot-158 .leaflet-tooltip-bottom:before {\n\t\tborder-bottom-color: #ffffff;\n\t}\n\t#hotspot-158 .leaflet-tooltip-left:before {\n\t\tborder-left-color: #ffffff;\n\t}\n\t#hotspot-158 .leaflet-tooltip-right:before {\n\t\tborder-right-color: #ffffff;\n\t}\n<\/style>\n\n\n\t<div class=\"hotspots-container  layout-tooltip event-hover\" id=\"hotspot-158\" data-layout=\"tooltip\" data-trigger=\"hover\">\n\t\t<div class=\"hotspots-interaction\">\n\t\t\t<div class=\"hotspots-image-container\">\n\t<img\n\t\twidth=\"1200\"\n\t\theight=\"844\"\n\t\tsrc=\"https:\/\/www.huronresearch.ca\/thedigitalrime\/wp-content\/uploads\/sites\/60\/2019\/04\/lyrical-ballads-1798-1.jpg\"\n\t\talt=\"Lyrical Ballads 1798 1\"\n\t\tclass=\"hotspots-image skip-lazy\"\n\t\tusemap=\"#hotspots-image-158\"\n\t\tdata-image-title=\"Lyrical Ballads 1798 1\"\n\t\tdata-image-description=\"\"\n\t\tdata-event-trigger=\"hover\"\n\t\tdata-always-visible=\"on\"\n\t\tdata-id=\"158\"\n\t\tdata-no-lazy=\"1\"\n\t\tdata-lazy-src=\"\"\n\t\tdata-lazy=\"false\"\n\t\tloading=\"eager\"\n\t\tdata-skip-lazy=\"1\"\n\t\t>\n<\/div>\t\t<\/div>\n\t\t<map name=\"hotspots-image-158\" class=\"hotspots-map\">\n\t\t\t\t\t\t\t\t\t\t\t<area\n\t\t\t\t\tshape=\"polygon\"\n\t\t\t\t\tcoords=\"268,124,288,124,275,712,258,712\"\n\t\t\t\t\thref=\"#hotspot-hotspot-158-0\"\n\t\t\t\t\trel=\"\"\n\t\t\t\t\ttitle=\"\"\n\t\t\t\t\talt=\"\"\n\t\t\t\t\tdata-action=\"\"\n\t\t\t\t\tdata-color-scheme=\"\"\n\t\t\t\t\tdata-id=\"area-hotspot-158-0\"\n\t\t\t\t\ttarget=\"\"\n\t\t\t\t\tclass=\"more-info-area\"\n\t\t\t\t\t>\n\t\t\t\t\t\t\t\t\t\t\t<area\n\t\t\t\t\tshape=\"polygon\"\n\t\t\t\t\tcoords=\"501,734,501,749,900,747,900,731\"\n\t\t\t\t\thref=\"#hotspot-hotspot-158-1\"\n\t\t\t\t\trel=\"\"\n\t\t\t\t\ttitle=\"\"\n\t\t\t\t\talt=\"\"\n\t\t\t\t\tdata-action=\"\"\n\t\t\t\t\tdata-color-scheme=\"\"\n\t\t\t\t\tdata-id=\"area-hotspot-158-1\"\n\t\t\t\t\ttarget=\"\"\n\t\t\t\t\tclass=\"more-info-area\"\n\t\t\t\t\t>\n\t\t\t\t\t<\/map>\n\n\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t<div class=\"hotspot-info \" id=\"hotspot-hotspot-158-0\">\n\t\t\t\t\n\t\t\t\t<h2 class=\"hotspot-title\"><\/h2>\t\t\t\t\t\t\t\t<div class=\"hotspot-content\">\n\t\t\t\t\t<p><em>Lyrical Ballads,\u00a0<\/em>assembled by William Wordsworth and printed by the bristol-based Biggs and Cottle, was a slender, foolscap octavo volume, measuring roughly 6 inches by four inches. In a letter to Walter Scott, Wordsworth wrote of his affinity for small volumes: \"It was a beautiful book, but when I wished for another copy it was for one of a pocket size. Any poetry which I like, I wish for in that size\" (Wordsworth 255).<\/p>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\t\t\t<div class=\"hotspot-info \" id=\"hotspot-hotspot-158-1\">\n\t\t\t\t\n\t\t\t\t<h2 class=\"hotspot-title\"><\/h2>\t\t\t\t\t\t\t\t<div class=\"hotspot-content\">\n\t\t\t\t\t<p class=\"MsoNormal\" style=\"line-height: normal\"><span style=\"font-size: 12.0pt;font-family: 'Georgia',serif;color: #333333;background: white\">The small size of\u00a0<i>Lyrical Ballads\u00a0<\/i>coincided with the popularization of the pocketbook in mid-late 18th century England. As<\/span><span style=\"font-size: 12.0pt;font-family: 'Georgia',serif;color: #333333\">\u00a0Stephen Colclough tells us in his analysis of the textual history of pocketbooks, the typical pocket memorandum was a small, portable book that functioned as a reference guide, calendar, and journal with ruled pages for notetaking (Colclough 160). Like the pocketbook,\u00a0<i>Lyrical Ballads\u00a0<\/i>was meant to be unchained from the library shelves and brought into nature.<\/span><\/p>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\n\n\n<style>\n\t#hotspot-161 .hotspots-image-container,\n\t#hotspot-161 .leaflet-container {\n\t\tbackground: #efefef\t}\n\n\t#hotspot-161 .hotspots-placeholder,\n\t.featherlight .featherlight-content.lightbox-161 {\n\t\tbackground: #ffffff;\n\t\tborder: 0 #ffffff solid;\n\t\tcolor: #000000;\n\t}\n\n\t#hotspot-161 .hotspot-title,\n\t#hotspot-161 .bc-product__title a,\n\t.featherlight .featherlight-content.lightbox-161 .hotspot-title,\n\t.featherlight .featherlight-content.lightbox-161 .bc-product__title a {\n\t\tcolor: #ffffff;\n\t}\n\n\t\t\t#hotspot-161 .hotspot-style-1 {\n\t\t\tstroke-width: 3;\n\t\t\tfill: #ffffff;\n\t\t\tfill-opacity: 0.81;\n\t\t\tstroke: #ffffff;\n\t\t\tstroke-opacity: 1.01;\n\t\t}\n\t\t#hotspot-161 .hotspot-style-1:hover,\n\t\t#hotspot-161 .hotspot-style-1:focus-visible,\n\t\t#hotspot-161 .hotspot-style-1.hotspot-active {\n\t\t\tfill: #ffffff;\n\t\t\tfill-opacity: 0.81;\n\t\t\toutline: none;\n\t\t\tstroke: #ffffff;\n\t\t\tstroke-opacity: 1.01;\n\t\t}\n\t\t\t#hotspot-161 .hotspot-default {\n\t\t\tstroke-width: 3;\n\t\t\tfill: #ffffff;\n\t\t\tfill-opacity: 0.01;\n\t\t\tstroke: #ff0000;\n\t\t\tstroke-opacity: 1.01;\n\t\t}\n\t\t#hotspot-161 .hotspot-default:hover,\n\t\t#hotspot-161 .hotspot-default:focus-visible,\n\t\t#hotspot-161 .hotspot-default.hotspot-active {\n\t\t\tfill: #ffffff;\n\t\t\tfill-opacity: 0.16;\n\t\t\toutline: none;\n\t\t\tstroke: #ff0000;\n\t\t\tstroke-opacity: 1.01;\n\t\t}\n\t\t#hotspot-161 .leaflet-tooltip,\n\t#hotspot-161 .leaflet-rrose-content-wrapper {\n\t\tbackground: #ffffff;\n\t\tborder-color: #ffffff;\n\t\tcolor: #000000;\n\t}\n\n\t#hotspot-161 a.leaflet-rrose-close-button {\n\t\tcolor: #ffffff;\n\t}\n\n\t#hotspot-161 .leaflet-rrose-tip {\n\t\tbackground: #ffffff;\n\t}\n\n\t#hotspot-161 .leaflet-popup-scrolled {\n\t\tborder-bottom-color: #000000;\n\t\tborder-top-color: #000000;\n\t}\n\n\t#hotspot-161 .leaflet-tooltip-top:before {\n\t\tborder-top-color: #ffffff;\n\t}\n\n\t#hotspot-161 .leaflet-tooltip-bottom:before {\n\t\tborder-bottom-color: #ffffff;\n\t}\n\t#hotspot-161 .leaflet-tooltip-left:before {\n\t\tborder-left-color: #ffffff;\n\t}\n\t#hotspot-161 .leaflet-tooltip-right:before {\n\t\tborder-right-color: #ffffff;\n\t}\n<\/style>\n\n\n\t<div class=\"hotspots-container  layout-tooltip event-hover\" id=\"hotspot-161\" data-layout=\"tooltip\" data-trigger=\"hover\">\n\t\t<div class=\"hotspots-interaction\">\n\t\t\t<div class=\"hotspots-image-container\">\n\t<img\n\t\twidth=\"1200\"\n\t\theight=\"844\"\n\t\tsrc=\"https:\/\/www.huronresearch.ca\/thedigitalrime\/wp-content\/uploads\/sites\/60\/2019\/04\/lyrical-ballads-1798-2.jpg\"\n\t\talt=\"Lyrical Ballads 1798 2\"\n\t\tclass=\"hotspots-image skip-lazy\"\n\t\tusemap=\"#hotspots-image-161\"\n\t\tdata-image-title=\"Lyrical Ballads 1798 2\"\n\t\tdata-image-description=\"\"\n\t\tdata-event-trigger=\"hover\"\n\t\tdata-always-visible=\"on\"\n\t\tdata-id=\"161\"\n\t\tdata-no-lazy=\"1\"\n\t\tdata-lazy-src=\"\"\n\t\tdata-lazy=\"false\"\n\t\tloading=\"eager\"\n\t\tdata-skip-lazy=\"1\"\n\t\t>\n<\/div>\t\t<\/div>\n\t\t<map name=\"hotspots-image-161\" class=\"hotspots-map\">\n\t\t\t\t\t\t\t\t\t\t\t<area\n\t\t\t\t\tshape=\"polygon\"\n\t\t\t\t\tcoords=\"260,697,566,709,590,194,874,173,869,125,585,154,571,145,531,133,315,144\"\n\t\t\t\t\thref=\"#hotspot-hotspot-161-0\"\n\t\t\t\t\trel=\"\"\n\t\t\t\t\ttitle=\"\"\n\t\t\t\t\talt=\"\"\n\t\t\t\t\tdata-action=\"\"\n\t\t\t\t\tdata-color-scheme=\"\"\n\t\t\t\t\tdata-id=\"area-hotspot-161-0\"\n\t\t\t\t\ttarget=\"\"\n\t\t\t\t\tclass=\"more-info-area\"\n\t\t\t\t\t>\n\t\t\t\t\t\t\t\t\t\t\t<area\n\t\t\t\t\tshape=\"polygon\"\n\t\t\t\t\tcoords=\"590,247,842,232,843,253,591,267\"\n\t\t\t\t\thref=\"#hotspot-hotspot-161-1\"\n\t\t\t\t\trel=\"\"\n\t\t\t\t\ttitle=\"\"\n\t\t\t\t\talt=\"\"\n\t\t\t\t\tdata-action=\"\"\n\t\t\t\t\tdata-color-scheme=\"\"\n\t\t\t\t\tdata-id=\"area-hotspot-161-1\"\n\t\t\t\t\ttarget=\"\"\n\t\t\t\t\tclass=\"more-info-area\"\n\t\t\t\t\t>\n\t\t\t\t\t<\/map>\n\n\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t<div class=\"hotspot-info \" id=\"hotspot-hotspot-161-0\">\n\t\t\t\t\n\t\t\t\t<h2 class=\"hotspot-title\"><\/h2>\t\t\t\t\t\t\t\t<div class=\"hotspot-content\">\n\t\t\t\t\t<p class=\"MsoNormal\" style=\"margin-bottom: .0001pt;line-height: normal;background: white\"><span style=\"font-family: 'Georgia',serif;color: #222222\">Inscription reads: These poems to be found scattered over the 7 vol. edition of 146 as follows- Lines Left Upon a Seat. Vol. V.p.7. \u201cThe Female Vagrant\u201d forms part of \u201cGuilt and Sorrow\u201d Vol. 1.p.97. \u201cGoody Blake,\u201d vol ii.p.135. Lines, ? . vol.v.p.7. Simon Lee, vol. v.p.7. Anecdote for Fathers, vol.1.p.22. \u201cWe are Seven.\u201d Vol.1.p.19. Lines in Early Spring. Vol.v.p.72. The Thorn. Vol. ii \u2013 p.124. The Last of the Flock, vol.1.p.169. \u201cThe Mad Mother\u201d starts as \u201cHer Eyes are Wild\u201d \u2013 vol.1.p.250. \u201cThe Idiot Boy\u201d \u2013 vol.1.p.203. \u201cLines Written near Richmond\u201d \u2013 divided into two may be found vol v.p.10.11. \u201cExpostulation.\u201d Vol.v.p.3. \u201cThe Tables Turned\u201d \u2013 vol. v.p.5.\u00a0<\/span><span style=\"color: #222222;font-family: Georgia, serif\">\u201cOld Man etc. under the name of \u201cAnimal Tranquility and Decay\u201d \u2013 col.v.p.298. \u201cComplaint etc\u201d \u2013 vol.1.p.165. \u201cLines etc.\u201d vol.II.p.161.<\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin-bottom: .0001pt;line-height: normal;background: white\"><span style=\"font-family: 'Georgia',serif;color: #222222\">\u00a0<\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin-bottom: .0001pt;line-height: normal;background: white\"><span style=\"font-family: 'Georgia',serif;color: #222222\">This inscription likely refers to the 7 volume <i>Poetical Works of William Wordsworth,<\/i> published by George Bell and Sons, 1892<\/span><\/p>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\t\t\t<div class=\"hotspot-info \" id=\"hotspot-hotspot-161-1\">\n\t\t\t\t\n\t\t\t\t<h2 class=\"hotspot-title\"><\/h2>\t\t\t\t\t\t\t\t<div class=\"hotspot-content\">\n\t\t\t\t\t<p>In this 1798 edition of\u00a0<em>Lyrical Ballads,\u00a0<\/em>Coleridge's\u00a0<em>Rime of the Ancient Mariner\u00a0<\/em>was positioned first in the table of contents. In the second edition of 1800, Coleridge's poem was moved to a later position in the volume.<\/p>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\n\n\n<style>\n\t#hotspot-172 .hotspots-image-container,\n\t#hotspot-172 .leaflet-container {\n\t\tbackground: #efefef\t}\n\n\t#hotspot-172 .hotspots-placeholder,\n\t.featherlight .featherlight-content.lightbox-172 {\n\t\tbackground: #ffffff;\n\t\tborder: 0 #ffffff solid;\n\t\tcolor: #000000;\n\t}\n\n\t#hotspot-172 .hotspot-title,\n\t#hotspot-172 .bc-product__title a,\n\t.featherlight .featherlight-content.lightbox-172 .hotspot-title,\n\t.featherlight .featherlight-content.lightbox-172 .bc-product__title a {\n\t\tcolor: #ffffff;\n\t}\n\n\t\t\t#hotspot-172 .hotspot-style-1 {\n\t\t\tstroke-width: 3;\n\t\t\tfill: #ffffff;\n\t\t\tfill-opacity: 0.81;\n\t\t\tstroke: #ffffff;\n\t\t\tstroke-opacity: 1.01;\n\t\t}\n\t\t#hotspot-172 .hotspot-style-1:hover,\n\t\t#hotspot-172 .hotspot-style-1:focus-visible,\n\t\t#hotspot-172 .hotspot-style-1.hotspot-active {\n\t\t\tfill: #ffffff;\n\t\t\tfill-opacity: 0.81;\n\t\t\toutline: none;\n\t\t\tstroke: #ffffff;\n\t\t\tstroke-opacity: 1.01;\n\t\t}\n\t\t\t#hotspot-172 .hotspot-default {\n\t\t\tstroke-width: 3;\n\t\t\tfill: #ffffff;\n\t\t\tfill-opacity: 0.01;\n\t\t\tstroke: #dd3333;\n\t\t\tstroke-opacity: 1.01;\n\t\t}\n\t\t#hotspot-172 .hotspot-default:hover,\n\t\t#hotspot-172 .hotspot-default:focus-visible,\n\t\t#hotspot-172 .hotspot-default.hotspot-active {\n\t\t\tfill: #ffffff;\n\t\t\tfill-opacity: 0.16;\n\t\t\toutline: none;\n\t\t\tstroke: #dd3333;\n\t\t\tstroke-opacity: 1.01;\n\t\t}\n\t\t#hotspot-172 .leaflet-tooltip,\n\t#hotspot-172 .leaflet-rrose-content-wrapper {\n\t\tbackground: #ffffff;\n\t\tborder-color: #ffffff;\n\t\tcolor: #000000;\n\t}\n\n\t#hotspot-172 a.leaflet-rrose-close-button {\n\t\tcolor: #ffffff;\n\t}\n\n\t#hotspot-172 .leaflet-rrose-tip {\n\t\tbackground: #ffffff;\n\t}\n\n\t#hotspot-172 .leaflet-popup-scrolled {\n\t\tborder-bottom-color: #000000;\n\t\tborder-top-color: #000000;\n\t}\n\n\t#hotspot-172 .leaflet-tooltip-top:before {\n\t\tborder-top-color: #ffffff;\n\t}\n\n\t#hotspot-172 .leaflet-tooltip-bottom:before {\n\t\tborder-bottom-color: #ffffff;\n\t}\n\t#hotspot-172 .leaflet-tooltip-left:before {\n\t\tborder-left-color: #ffffff;\n\t}\n\t#hotspot-172 .leaflet-tooltip-right:before {\n\t\tborder-right-color: #ffffff;\n\t}\n<\/style>\n\n\n\t<div class=\"hotspots-container  layout-tooltip event-hover\" id=\"hotspot-172\" data-layout=\"tooltip\" data-trigger=\"hover\">\n\t\t<div class=\"hotspots-interaction\">\n\t\t\t<div class=\"hotspots-image-container\">\n\t<img\n\t\twidth=\"1200\"\n\t\theight=\"844\"\n\t\tsrc=\"https:\/\/www.huronresearch.ca\/thedigitalrime\/wp-content\/uploads\/sites\/60\/2019\/04\/lyrical-ballads-1798-3-revised.jpg\"\n\t\talt=\"Lyrical Ballads 1798 3\"\n\t\tclass=\"hotspots-image skip-lazy\"\n\t\tusemap=\"#hotspots-image-172\"\n\t\tdata-image-title=\"Lyrical Ballads 1798 3\"\n\t\tdata-image-description=\"\"\n\t\tdata-event-trigger=\"hover\"\n\t\tdata-always-visible=\"on\"\n\t\tdata-id=\"172\"\n\t\tdata-no-lazy=\"1\"\n\t\tdata-lazy-src=\"\"\n\t\tdata-lazy=\"false\"\n\t\tloading=\"eager\"\n\t\tdata-skip-lazy=\"1\"\n\t\t>\n<\/div>\t\t<\/div>\n\t\t<map name=\"hotspots-image-172\" class=\"hotspots-map\">\n\t\t\t\t\t\t\t\t\t\t\t<area\n\t\t\t\t\tshape=\"polygon\"\n\t\t\t\t\tcoords=\"644,434,922,428,931,633,649,629\"\n\t\t\t\t\thref=\"#hotspot-hotspot-172-0\"\n\t\t\t\t\trel=\"\"\n\t\t\t\t\ttitle=\"\"\n\t\t\t\t\talt=\"\"\n\t\t\t\t\tdata-action=\"\"\n\t\t\t\t\tdata-color-scheme=\"\"\n\t\t\t\t\tdata-id=\"area-hotspot-172-0\"\n\t\t\t\t\ttarget=\"\"\n\t\t\t\t\tclass=\"more-info-area\"\n\t\t\t\t\t>\n\t\t\t\t\t<\/map>\n\n\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t<div class=\"hotspot-info \" id=\"hotspot-hotspot-172-0\">\n\t\t\t\t\n\t\t\t\t<h2 class=\"hotspot-title\"><\/h2>\t\t\t\t\t\t\t\t\t<div class=\"hotspot-thumb\">\n\t\t\t\t\t\t<img decoding=\"async\" width=\"187\" height=\"300\" data-src=\"https:\/\/www.huronresearch.ca\/thedigitalrime\/wp-content\/uploads\/sites\/60\/2019\/04\/mariner-snip-187x300.jpg\" class=\"attachment-medium size-medium lazyload\" alt=\"\" data-srcset=\"https:\/\/www.huronresearch.ca\/thedigitalrime\/wp-content\/uploads\/sites\/60\/2019\/04\/mariner-snip-187x300.jpg 187w, https:\/\/www.huronresearch.ca\/thedigitalrime\/wp-content\/uploads\/sites\/60\/2019\/04\/mariner-snip.jpg 443w\" data-sizes=\"(max-width: 187px) 100vw, 187px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 187px; --smush-placeholder-aspect-ratio: 187\/300;\" \/>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<div class=\"hotspot-content\">\n\t\t\t\t\t<p><span style=\"font-size: 11.0pt;line-height: 107%;font-family: 'Georgia',serif;color: #222222\">With these lines of text, Coleridge's poem appeared for the first time in print. The center of the poem's dramatic action - the shooting of the albatross - was suggested by William Wordsworth, who directed Coleridge to the travel narrative of George Shelvocke, published in 1727.\u00a0<\/span><\/p>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\n\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_mc_calendar":[],"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-259","page","type-page","status-publish","czr-hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.huronresearch.ca\/thedigitalrime\/wp-json\/wp\/v2\/pages\/259","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.huronresearch.ca\/thedigitalrime\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.huronresearch.ca\/thedigitalrime\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.huronresearch.ca\/thedigitalrime\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.huronresearch.ca\/thedigitalrime\/wp-json\/wp\/v2\/comments?post=259"}],"version-history":[{"count":0,"href":"https:\/\/www.huronresearch.ca\/thedigitalrime\/wp-json\/wp\/v2\/pages\/259\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.huronresearch.ca\/thedigitalrime\/wp-json\/wp\/v2\/media?parent=259"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}