{"id":621,"date":"2019-05-15T11:22:20","date_gmt":"2019-05-15T16:22:20","guid":{"rendered":"http:\/\/www.huronresearch.ca\/courtesansofindia\/?p=621"},"modified":"2021-02-05T13:10:35","modified_gmt":"2021-02-05T18:10:35","slug":"kugle-scott-mah-laqa-bai-and-gender-the-language-poetry-and-performance-of-a-courtesan-in-hyderabad-comparative-studies-of-south-asia-africa-and-the-middle-east-vol-30-no-3-2010-pp-36","status":"publish","type":"post","link":"https:\/\/www.huronresearch.ca\/courtesansofindia\/?p=621","title":{"rendered":"Kugle, Scott. &#8220;Mah Laqa Bai and Gender: The Language, Poetry, and Performance of a Courtesan in Hyderabad.&#8221; Comparative Studies of South Asia, Africa and the Middle East, vol. 30 no. 3, 2010, pp. 365-385. Project MUSE, muse.jhu.edu\/article\/430302."},"content":{"rendered":"<p>From the abstract:<\/p>\n<p>&#8220;Shi&#8217;i devotion and Urdu poetry both flourished in unique ways in the Deccan region, but did these cultural phenomena allow new creativity for women? This question can be addressed by examining the courtesan Mah Laqa Bai (AH 1181\u20131240\/1768\u20131824), one of the most powerful figures in the court of the second Nizam of Hyderabad, Nizam &#8216;Ali Khan (r. 1762\u20131803), and the third Nizam, Sikandar Jah (r. 1803\u201329), as well as being mistress to their prime ministers of Iranian descent. She was one of the first women poets to compile a full divan of Urdu ghazals and was adept at music and dance. This essay examines the issue of gender in her poetry and personality. It argues that she wrote as a woman but in the poetic male voice. She wrote at a time when Urdu in the Deccan region was being altered to conform to Mogul standards with heavy &#8220;Persianization&#8221; of its diction. The essay asks whether Deccani Urdu was a feminine language before this reform, as argued by some literary historians of the Deccan. It then asks whether Mah Laqa Bai had a feminist agenda as a women poet of the eighteenth century, as charged by some feminist scholars of the Deccan. The essay concludes that Mah Laqa Bai&#8217;s concept of the feminine was shaped by her role as a dancing female devotee of Imam &#8216;Ali, rather than by linguistic structures or political ideologies.&#8221;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>From the abstract: &#8220;Shi&#8217;i devotion and Urdu poetry both flourished in unique ways in the Deccan region, but did these cultural phenomena allow new creativity for women? This question can be addressed by examining the courtesan Mah Laqa Bai (AH 1181\u20131240\/1768\u20131824), one of the most powerful figures in the court of the second Nizam of <a class=\"more-link\" href=\"https:\/\/www.huronresearch.ca\/courtesansofindia\/?p=621\">Read More &#8230;<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":"","_links_to":"","_links_to_target":""},"categories":[83,133,46,51,53],"tags":[86,69,23,108,109,26],"class_list":["post-621","post","type-post","status-publish","format-standard","hentry","category-history","category-literature-written-by-courtesans","category-literature","category-secondary-sources-about-poetry","category-profiles","tag-courtesans-in-literature","tag-gender-roles","tag-history","tag-mah-laqa-bai","tag-poetry","tag-secondary-source"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 4.9.8 - aioseo.com -->\n\t<meta name=\"robots\" content=\"max-image-preview:large\" \/>\n\t<meta name=\"author\" content=\"Ryan\"\/>\n\t<link rel=\"canonical\" href=\"https:\/\/www.huronresearch.ca\/courtesansofindia\/?p=621\" \/>\n\t<meta name=\"generator\" content=\"All in One SEO (AIOSEO) 4.9.8\" \/>\n\t\t<meta property=\"og:locale\" content=\"en_US\" \/>\n\t\t<meta property=\"og:site_name\" content=\"Courtesans of India | Centering Devadasis and Tawaifs\" \/>\n\t\t<meta property=\"og:type\" content=\"article\" \/>\n\t\t<meta property=\"og:title\" content=\"Kugle, Scott. \u201cMah Laqa Bai and Gender: The Language, Poetry, and Performance of a Courtesan in Hyderabad.\u201d Comparative Studies of South Asia, Africa and the Middle East, vol. 30 no. 3, 2010, pp. 365-385. 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Project MUSE, muse.jhu.edu\/article\/430302. | Courtesans of India"},"aioseo_meta_data":{"post_id":"621","title":null,"description":null,"keywords":[],"keyphrases":{"focus":[],"additional":[]},"primary_term":null,"canonical_url":null,"og_title":null,"og_description":null,"og_object_type":"default","og_image_type":"default","og_image_url":null,"og_image_width":null,"og_image_height":null,"og_image_custom_url":null,"og_image_custom_fields":null,"og_video":"","og_custom_url":null,"og_article_section":null,"og_article_tags":[],"twitter_use_og":false,"twitter_card":"default","twitter_image_type":"default","twitter_image_url":null,"twitter_image_custom_url":null,"twitter_image_custom_fields":null,"twitter_title":null,"twitter_description":null,"schema":{"blockGraphs":[],"customGraphs":[],"default":{"data":{"Article":[],"Course":[],"Dataset":[],"FAQPage":[],"Movie":[],"Person":[],"Product":[],"ProductReview":[],"Car":[],"Recipe":[],"Service":[],"SoftwareApplication":[],"WebPage":[]},"graphName":"","isEnabled":true},"graphs":[]},"schema_type":"none","schema_type_options":"{\"webPage\":{\"webPageType\":\"WebPage\"},\"article\":{\"articleType\":\"BlogPosting\"},\"book\":[],\"course\":[],\"event\":[],\"jobPosting\":[],\"music\":[],\"person\":[],\"product\":[],\"recipe\":[],\"restaurant\":[],\"service\":[],\"software\":[],\"video\":[]}","pillar_content":false,"robots_default":true,"robots_noindex":false,"robots_noarchive":false,"robots_nosnippet":false,"robots_nofollow":false,"robots_noimageindex":false,"robots_noodp":false,"robots_notranslate":false,"robots_max_snippet":"-1","robots_max_videopreview":"-1","robots_max_imagepreview":"large","priority":null,"frequency":"default","location":null,"local_seo":{"businessInfo":{"name":"","urls":{"website":"","aboutPage":"","contactPage":""},"address":{"line1":"","line2":"","zip":"","city":"","state":"","country":""},"contact":{"email":"","phone":"","fax":""},"ids":{"vatID":"","taxID":"","chamberID":""},"payment":{"priceIndication":"","currenciesAccepted":"","methodsAccepted":""},"areaServed":""},"openingHours":{"show":false,"closedLabel":"","open24h":false,"open24hLabel":"","open247":false,"use24hFormat":false,"twoSets":false,"timezone":"","hours":[]}},"breadcrumb_settings":null,"limit_modified_date":false,"ai":null,"created":"2020-12-21 14:11:47","updated":"2025-11-15 15:30:53","seo_analyzer_scan_date":null},"aioseo_breadcrumb":"<div class=\"aioseo-breadcrumbs\"><span class=\"aioseo-breadcrumb\">\n\t\t\t<a href=\"https:\/\/www.huronresearch.ca\/courtesansofindia\" title=\"Home\">Home<\/a>\n\t\t<\/span><span class=\"aioseo-breadcrumb-separator\">&raquo;<\/span><span class=\"aioseo-breadcrumb\">\n\t\t\t<a href=\"https:\/\/www.huronresearch.ca\/courtesansofindia\/?cat=46\" title=\"Poetry\">Poetry<\/a>\n\t\t<\/span><span class=\"aioseo-breadcrumb-separator\">&raquo;<\/span><span class=\"aioseo-breadcrumb\">\n\t\t\t<a href=\"https:\/\/www.huronresearch.ca\/courtesansofindia\/?cat=51\" title=\"Poetry: Secondary Sources\">Poetry: Secondary Sources<\/a>\n\t\t<\/span><span class=\"aioseo-breadcrumb-separator\">&raquo;<\/span><span class=\"aioseo-breadcrumb\">\n\t\t\tKugle, Scott. \u201cMah Laqa Bai and Gender: The Language, Poetry, and Performance of a Courtesan in Hyderabad.\u201d Comparative Studies of South Asia, Africa and the Middle East, vol. 30 no. 3, 2010, pp. 365-385. 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Project MUSE, muse.jhu.edu\/article\/430302.","link":"https:\/\/www.huronresearch.ca\/courtesansofindia\/?p=621"}],"_links":{"self":[{"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=\/wp\/v2\/posts\/621","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=621"}],"version-history":[{"count":0,"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=\/wp\/v2\/posts\/621\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=621"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=621"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=621"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}