{"id":555,"date":"2018-09-07T14:58:20","date_gmt":"2018-09-07T19:58:20","guid":{"rendered":"http:\/\/www.huronresearch.ca\/courtesansofindia\/?p=555"},"modified":"2021-02-02T12:35:24","modified_gmt":"2021-02-02T17:35:24","slug":"kripalani-coonoor-whats-love-got-to-do-with-it-bollywood-courtesans-hollywood-prostitutes-inter-cultural-performance-shakespeare-nestroy-and-beyond-edited-by-gra","status":"publish","type":"post","link":"https:\/\/www.huronresearch.ca\/courtesansofindia\/?p=555","title":{"rendered":"Kripalani, Coonoor. \u201cWhat&#8217;s Love Got to Do WIth It? \u2013 Bollywood Courtesans &amp; Hollywood Prostitutes.\u201d Inter-cultural Performance: Shakespeare, Nestroy and Beyond, edited by Graham Squires, Editions Publibook, 2016"},"content":{"rendered":"<p>This chapter compares popular Bollywood courtesan films with popular Hollywood sex worker films and contextualizes them through an exploration of gendered tropes and stereotypes, such as the Western \u201cNew Woman\u201d and \u201cFemme Fatale.\u201d<\/p>\n<p><strong>From the Introduction<\/strong><\/p>\n<p>This paper focuses on films about courtesans and compares these with films of a similar nature made in the West\u2026. For this study, I have selected three films, all made after 1950, whose main protagonists are courtesans\u2026. The films are <em>Mughal-e-Azam<\/em> (directed by K. Asif, 1960) that tells the story of Anarkali, a famous courtesan in the court of the great Moghul Emperor, Akbar; <em>Pakeezah<\/em> (directed by Kamal Amrohi, 1971) which is fictional; and <em>Umrao Jaan<\/em> (directed by Muzaffar Ali, 1981), an account of a famous courtesan of Lucknow in the mid-nineteenth century.<\/p>\n<p>As a basis of comparison, I have selected three (post-1950) Western films, <em>Can Can <\/em>(directed by Walter Lang, 1960), Pretty Woman (directed by Gerry Marshall, 1990) and Dangerous Beauty or The Honest Courtesan (directed by Marshall Herkowitz, 1997).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This chapter compares popular Bollywood courtesan films with popular Hollywood sex worker films and contextualizes them through an exploration of gendered tropes and stereotypes, such as the Western \u201cNew Woman\u201d and \u201cFemme Fatale.\u201d From the Introduction This paper focuses on films about courtesans and compares these with films of a similar nature made in the <a class=\"more-link\" href=\"https:\/\/www.huronresearch.ca\/courtesansofindia\/?p=555\">Read More &#8230;<\/a><\/p>\n","protected":false},"author":13,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":"","_links_to":"","_links_to_target":""},"categories":[1],"tags":[77,71,58,69,100,26],"class_list":["post-555","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-bollywood","tag-film-analysis","tag-film-tropes","tag-gender-roles","tag-hollywood","tag-secondary-source"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 4.9.9 - aioseo.com -->\n\t<meta name=\"robots\" content=\"max-image-preview:large\" \/>\n\t<meta name=\"author\" content=\"sliska\"\/>\n\t<link rel=\"canonical\" href=\"https:\/\/www.huronresearch.ca\/courtesansofindia\/?p=555\" \/>\n\t<meta name=\"generator\" content=\"All in One SEO (AIOSEO) 4.9.9\" \/>\n\t\t<meta property=\"og:locale\" content=\"en_US\" \/>\n\t\t<meta property=\"og:site_name\" content=\"Courtesans of India | Centering Devadasis and Tawaifs\" \/>\n\t\t<meta property=\"og:type\" content=\"article\" \/>\n\t\t<meta property=\"og:title\" content=\"Kripalani, Coonoor. \u201cWhat\u2019s Love Got to Do WIth It? 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