{"id":547,"date":"2018-09-07T14:07:41","date_gmt":"2018-09-07T19:07:41","guid":{"rendered":"http:\/\/www.huronresearch.ca\/courtesansofindia\/?p=547"},"modified":"2021-02-02T12:35:24","modified_gmt":"2021-02-02T17:35:24","slug":"boejharat-jolanda-djaimala-indian-courtesans-from-reality-to-the-silver-screen-and-back-again-iias-newsletter-vol-40-no-8-2006","status":"publish","type":"post","link":"https:\/\/www.huronresearch.ca\/courtesansofindia\/?p=547","title":{"rendered":"Boejharat, Jolanda Djaimala. \u201cIndian Courtesans: From Reality to the Silver Screen and Back Again.\u201d IIAS Newsletter, Vol. 40, No. 8, 2006."},"content":{"rendered":"<p>This article is available for free online through the Leiden University Repository: <a href=\"https:\/\/openaccess.leidenuniv.nl\/handle\/1887\/12710\">https:\/\/openaccess.leidenuniv.nl\/handle\/1887\/12710<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><strong>From the Introduction &#8211; Modern Courtesans<\/strong><\/p>\n<p>People today speak nostalgically about the golden age of courtesans, when their company was much appreciated and an accepted part of aristocratic life. Nevertheless, the current practice of this seductive art as found in today\u2019s brothels (kotha) is despised, while its practitioners are considered outcasts operating on the margins of society. Of course there is great variety in India\u2019s red-light districts: from child prostitutes to call girls in modern city bars and women who still use the mujarewali tradition of dancing and singing as part of their seductive technique. Their daily lives and their nighttime practices place them in a twilight zone, serving a male clientele without regard to caste or religion.<\/p>\n<p>Some artists and researchers say that traditional mujarewali no longer exist, as the artistic expressions of today\u2019s courtesans are in no way comparable to those of bygone days. Still, although their techniques have changed, these women perform the arts of seduction, and their customers visit them not only for their public services, but to return to an earlier time, to leave behind the cares of today and of the future.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>From the Introduction &#8211; Courtesan Films<\/strong><\/p>\n<p>The Bollywood film industry, with 900 releases annually, is among the largest in the world. Many film producers\u2019 works feature both historical courtesans and their present-day representatives&#8230;.&nbsp;The introduction of sound in the 1930s gave birth to a tradition of films featuring embedded music and dance<br \/>\nsequences. Of these, the courtesan genre includes such well-known examples as DevDas (1955) Pakeeza (1971) and Umrao Jan (1981). Early courtesan films idealized the beauty and artistic skills of the historical mujarewali and portrayed prostitutes restored to social respectability through marriage. The narratives were interspersed with song and dance sequences similar to what we assume to have been traditional mujara practice.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This article is available for free online through the Leiden University Repository: https:\/\/openaccess.leidenuniv.nl\/handle\/1887\/12710 &nbsp; From the Introduction &#8211; Modern Courtesans People today speak nostalgically about the golden age of courtesans, when their company was much appreciated and an accepted part of aristocratic life. Nevertheless, the current practice of this seductive art as found in today\u2019s <a class=\"more-link\" href=\"https:\/\/www.huronresearch.ca\/courtesansofindia\/?p=547\">Read More &#8230;<\/a><\/p>\n","protected":false},"author":13,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":"","_links_to":"","_links_to_target":""},"categories":[67,41,61],"tags":[77,31,56,71,58,128,26,49],"class_list":["post-547","post","type-post","status-publish","format-standard","hentry","category-contemporary-tawaif-life","category-films","category-open-sourcefree-online","tag-bollywood","tag-courtesan","tag-courtesan-films","tag-film-analysis","tag-film-tropes","tag-open-source-free","tag-secondary-source","tag-tawaif"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=\/wp\/v2\/posts\/547","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=547"}],"version-history":[{"count":0,"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=\/wp\/v2\/posts\/547\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=547"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=547"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=547"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}