{"id":407,"date":"2018-03-26T14:19:58","date_gmt":"2018-03-26T19:19:58","guid":{"rendered":"http:\/\/www.huronresearch.ca\/courtesansofindia\/?p=407"},"modified":"2021-02-02T12:35:27","modified_gmt":"2021-02-02T17:35:27","slug":"kesavan-mukul-urdu-awadh-and-the-tawaif-the-islamicate-roots-of-hindi-cinema-forging-identities-gender-communities-and-the-state-in-india-ed-zoya-hasan-boulder-colora","status":"publish","type":"post","link":"https:\/\/www.huronresearch.ca\/courtesansofindia\/?p=407","title":{"rendered":"Kesavan, Mukul.  \u201cUrdu, Awadh, and the Tawaif: the Islamicate roots of Hindi Cinema.\u201d  Forging Identities: Gender, Communities and the State in India.  Edited by Zoya Hasan,  Westview, 1994,  pp. 244-257."},"content":{"rendered":"<p>Kesavan&#8217;s essay explores the relationship between Hindi cinema and what Kesavan calls &#8220;Islamicate&#8221; culture, referring &#8220;<em>not directly to the religion, Islam, itself but to the social and cultural complex historically associated with Islam and Muslims.<\/em>&#8221; Kesavan notes three key links between Islamicate culture and cinema, notably Urdu, Awadh (the setting of, among many texts,\u00a0<em>Umrao Jaan<\/em>)\u00a0and the cinematic figure of the tawaif.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Kesavan&#8217;s essay explores the relationship between Hindi cinema and what Kesavan calls &#8220;Islamicate&#8221; culture, referring &#8220;not directly to the religion, Islam, itself but to the social and cultural complex historically associated with Islam and Muslims.&#8221; Kesavan notes three key links between Islamicate culture and cinema, notably Urdu, Awadh (the setting of, among many texts,\u00a0Umrao Jaan)\u00a0and <a class=\"more-link\" href=\"https:\/\/www.huronresearch.ca\/courtesansofindia\/?p=407\">Read More &#8230;<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":"","_links_to":"","_links_to_target":""},"categories":[41],"tags":[90,26,49],"class_list":["post-407","post","type-post","status-publish","format-standard","hentry","category-films","tag-film","tag-secondary-source","tag-tawaif"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 4.9.8 - aioseo.com -->\n\t<meta name=\"robots\" content=\"max-image-preview:large\" \/>\n\t<meta name=\"author\" content=\"Ryan\"\/>\n\t<link rel=\"canonical\" href=\"https:\/\/www.huronresearch.ca\/courtesansofindia\/?p=407\" \/>\n\t<meta name=\"generator\" content=\"All in One SEO (AIOSEO) 4.9.8\" \/>\n\t\t<meta property=\"og:locale\" content=\"en_US\" \/>\n\t\t<meta property=\"og:site_name\" content=\"Courtesans of India | Centering Devadasis and Tawaifs\" \/>\n\t\t<meta property=\"og:type\" content=\"article\" \/>\n\t\t<meta property=\"og:title\" content=\"Kesavan, Mukul. \u201cUrdu, Awadh, and the Tawaif: the Islamicate roots of Hindi Cinema.\u201d Forging Identities: Gender, Communities and the State in India. Edited by Zoya Hasan, Westview, 1994, pp. 244-257. | Courtesans of India\" \/>\n\t\t<meta property=\"og:url\" content=\"https:\/\/www.huronresearch.ca\/courtesansofindia\/?p=407\" \/>\n\t\t<meta property=\"article:published_time\" content=\"2018-03-26T19:19:58+00:00\" \/>\n\t\t<meta property=\"article:modified_time\" content=\"2021-02-02T17:35:27+00:00\" \/>\n\t\t<meta name=\"twitter:card\" content=\"summary\" \/>\n\t\t<meta name=\"twitter:title\" content=\"Kesavan, Mukul. \u201cUrdu, Awadh, and the Tawaif: the Islamicate roots of Hindi Cinema.\u201d Forging Identities: Gender, Communities and the State in India. Edited by Zoya Hasan, Westview, 1994, pp. 244-257. | Courtesans of India\" \/>\n\t\t<script type=\"application\/ld+json\" class=\"aioseo-schema\">\n\t\t\t{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.huronresearch.ca\\\/courtesansofindia\\\/?p=407#article\",\"name\":\"Kesavan, Mukul. \\u201cUrdu, Awadh, and the Tawaif: the Islamicate roots of Hindi Cinema.\\u201d Forging Identities: Gender, Communities and the State in India. Edited by Zoya Hasan, Westview, 1994, pp. 244-257. | Courtesans of India\",\"headline\":\"Kesavan, Mukul.  \\u201cUrdu, Awadh, and the Tawaif: the Islamicate roots of Hindi Cinema.\\u201d  Forging Identities: Gender, Communities and the State in India.  Edited by Zoya Hasan,  Westview, 1994,  pp. 244-257.\",\"author\":{\"@id\":\"https:\\\/\\\/www.huronresearch.ca\\\/courtesansofindia\\\/?author=1#author\"},\"publisher\":{\"@id\":\"https:\\\/\\\/www.huronresearch.ca\\\/courtesansofindia\\\/#organization\"},\"datePublished\":\"2018-03-26T14:19:58-05:00\",\"dateModified\":\"2021-02-02T12:35:27-05:00\",\"inLanguage\":\"en-US\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.huronresearch.ca\\\/courtesansofindia\\\/?p=407#webpage\"},\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.huronresearch.ca\\\/courtesansofindia\\\/?p=407#webpage\"},\"articleSection\":\"Films, film, secondary source, tawaif\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.huronresearch.ca\\\/courtesansofindia\\\/?p=407#breadcrumblist\",\"itemListElement\":[{\"@type\":\"ListItem\",\"@id\":\"https:\\\/\\\/www.huronresearch.ca\\\/courtesansofindia#listItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.huronresearch.ca\\\/courtesansofindia\",\"nextItem\":{\"@type\":\"ListItem\",\"@id\":\"https:\\\/\\\/www.huronresearch.ca\\\/courtesansofindia\\\/?cat=41#listItem\",\"name\":\"Films\"}},{\"@type\":\"ListItem\",\"@id\":\"https:\\\/\\\/www.huronresearch.ca\\\/courtesansofindia\\\/?cat=41#listItem\",\"position\":2,\"name\":\"Films\",\"item\":\"https:\\\/\\\/www.huronresearch.ca\\\/courtesansofindia\\\/?cat=41\",\"nextItem\":{\"@type\":\"ListItem\",\"@id\":\"https:\\\/\\\/www.huronresearch.ca\\\/courtesansofindia\\\/?p=407#listItem\",\"name\":\"Kesavan, Mukul.  \\u201cUrdu, Awadh, and the Tawaif: the Islamicate roots of Hindi Cinema.\\u201d  Forging Identities: Gender, Communities and the State in India.  Edited by Zoya Hasan,  Westview, 1994,  pp. 244-257.\"},\"previousItem\":{\"@type\":\"ListItem\",\"@id\":\"https:\\\/\\\/www.huronresearch.ca\\\/courtesansofindia#listItem\",\"name\":\"Home\"}},{\"@type\":\"ListItem\",\"@id\":\"https:\\\/\\\/www.huronresearch.ca\\\/courtesansofindia\\\/?p=407#listItem\",\"position\":3,\"name\":\"Kesavan, Mukul.  \\u201cUrdu, Awadh, and the Tawaif: the Islamicate roots of Hindi Cinema.\\u201d  Forging Identities: Gender, Communities and the State in India.  Edited by Zoya Hasan,  Westview, 1994,  pp. 244-257.\",\"previousItem\":{\"@type\":\"ListItem\",\"@id\":\"https:\\\/\\\/www.huronresearch.ca\\\/courtesansofindia\\\/?cat=41#listItem\",\"name\":\"Films\"}}]},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.huronresearch.ca\\\/courtesansofindia\\\/#organization\",\"name\":\"Courtesans of India\",\"description\":\"Centering Devadasis and Tawaifs\",\"url\":\"https:\\\/\\\/www.huronresearch.ca\\\/courtesansofindia\\\/\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.huronresearch.ca\\\/courtesansofindia\\\/?author=1#author\",\"url\":\"https:\\\/\\\/www.huronresearch.ca\\\/courtesansofindia\\\/?author=1\",\"name\":\"Ryan\",\"image\":{\"@type\":\"ImageObject\",\"@id\":\"https:\\\/\\\/www.huronresearch.ca\\\/courtesansofindia\\\/?p=407#authorImage\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/f7cc643cb0922b33510f993370129c96f76bcc4f0642b09fdf25ac9e0cc0a113?s=96&d=mm&r=g\",\"width\":96,\"height\":96,\"caption\":\"Ryan\"}},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.huronresearch.ca\\\/courtesansofindia\\\/?p=407#webpage\",\"url\":\"https:\\\/\\\/www.huronresearch.ca\\\/courtesansofindia\\\/?p=407\",\"name\":\"Kesavan, Mukul. \\u201cUrdu, Awadh, and the Tawaif: the Islamicate roots of Hindi Cinema.\\u201d Forging Identities: Gender, Communities and the State in India. Edited by Zoya Hasan, Westview, 1994, pp. 244-257. | Courtesans of India\",\"inLanguage\":\"en-US\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.huronresearch.ca\\\/courtesansofindia\\\/#website\"},\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.huronresearch.ca\\\/courtesansofindia\\\/?p=407#breadcrumblist\"},\"author\":{\"@id\":\"https:\\\/\\\/www.huronresearch.ca\\\/courtesansofindia\\\/?author=1#author\"},\"creator\":{\"@id\":\"https:\\\/\\\/www.huronresearch.ca\\\/courtesansofindia\\\/?author=1#author\"},\"datePublished\":\"2018-03-26T14:19:58-05:00\",\"dateModified\":\"2021-02-02T12:35:27-05:00\"},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.huronresearch.ca\\\/courtesansofindia\\\/#website\",\"url\":\"https:\\\/\\\/www.huronresearch.ca\\\/courtesansofindia\\\/\",\"name\":\"Courtesans of India\",\"description\":\"Centering Devadasis and Tawaifs\",\"inLanguage\":\"en-US\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.huronresearch.ca\\\/courtesansofindia\\\/#organization\"}}]}\n\t\t<\/script>\n\t\t<!-- All in One SEO -->\n\n","aioseo_head_json":{"title":"Kesavan, Mukul. \u201cUrdu, Awadh, and the Tawaif: the Islamicate roots of Hindi Cinema.\u201d Forging Identities: Gender, Communities and the State in India. Edited by Zoya Hasan, Westview, 1994, pp. 244-257. | Courtesans of India","description":"","canonical_url":"https:\/\/www.huronresearch.ca\/courtesansofindia\/?p=407","robots":"max-image-preview:large","keywords":"","webmasterTools":{"miscellaneous":""},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.huronresearch.ca\/courtesansofindia\/?p=407#article","name":"Kesavan, Mukul. \u201cUrdu, Awadh, and the Tawaif: the Islamicate roots of Hindi Cinema.\u201d Forging Identities: Gender, Communities and the State in India. Edited by Zoya Hasan, Westview, 1994, pp. 244-257. | Courtesans of India","headline":"Kesavan, Mukul.  \u201cUrdu, Awadh, and the Tawaif: the Islamicate roots of Hindi Cinema.\u201d  Forging Identities: Gender, Communities and the State in India.  Edited by Zoya Hasan,  Westview, 1994,  pp. 244-257.","author":{"@id":"https:\/\/www.huronresearch.ca\/courtesansofindia\/?author=1#author"},"publisher":{"@id":"https:\/\/www.huronresearch.ca\/courtesansofindia\/#organization"},"datePublished":"2018-03-26T14:19:58-05:00","dateModified":"2021-02-02T12:35:27-05:00","inLanguage":"en-US","mainEntityOfPage":{"@id":"https:\/\/www.huronresearch.ca\/courtesansofindia\/?p=407#webpage"},"isPartOf":{"@id":"https:\/\/www.huronresearch.ca\/courtesansofindia\/?p=407#webpage"},"articleSection":"Films, film, secondary source, tawaif"},{"@type":"BreadcrumbList","@id":"https:\/\/www.huronresearch.ca\/courtesansofindia\/?p=407#breadcrumblist","itemListElement":[{"@type":"ListItem","@id":"https:\/\/www.huronresearch.ca\/courtesansofindia#listItem","position":1,"name":"Home","item":"https:\/\/www.huronresearch.ca\/courtesansofindia","nextItem":{"@type":"ListItem","@id":"https:\/\/www.huronresearch.ca\/courtesansofindia\/?cat=41#listItem","name":"Films"}},{"@type":"ListItem","@id":"https:\/\/www.huronresearch.ca\/courtesansofindia\/?cat=41#listItem","position":2,"name":"Films","item":"https:\/\/www.huronresearch.ca\/courtesansofindia\/?cat=41","nextItem":{"@type":"ListItem","@id":"https:\/\/www.huronresearch.ca\/courtesansofindia\/?p=407#listItem","name":"Kesavan, Mukul.  \u201cUrdu, Awadh, and the Tawaif: the Islamicate roots of Hindi Cinema.\u201d  Forging Identities: Gender, Communities and the State in India.  Edited by Zoya Hasan,  Westview, 1994,  pp. 244-257."},"previousItem":{"@type":"ListItem","@id":"https:\/\/www.huronresearch.ca\/courtesansofindia#listItem","name":"Home"}},{"@type":"ListItem","@id":"https:\/\/www.huronresearch.ca\/courtesansofindia\/?p=407#listItem","position":3,"name":"Kesavan, Mukul.  \u201cUrdu, Awadh, and the Tawaif: the Islamicate roots of Hindi Cinema.\u201d  Forging Identities: Gender, Communities and the State in India.  Edited by Zoya Hasan,  Westview, 1994,  pp. 244-257.","previousItem":{"@type":"ListItem","@id":"https:\/\/www.huronresearch.ca\/courtesansofindia\/?cat=41#listItem","name":"Films"}}]},{"@type":"Organization","@id":"https:\/\/www.huronresearch.ca\/courtesansofindia\/#organization","name":"Courtesans of India","description":"Centering Devadasis and Tawaifs","url":"https:\/\/www.huronresearch.ca\/courtesansofindia\/"},{"@type":"Person","@id":"https:\/\/www.huronresearch.ca\/courtesansofindia\/?author=1#author","url":"https:\/\/www.huronresearch.ca\/courtesansofindia\/?author=1","name":"Ryan","image":{"@type":"ImageObject","@id":"https:\/\/www.huronresearch.ca\/courtesansofindia\/?p=407#authorImage","url":"https:\/\/secure.gravatar.com\/avatar\/f7cc643cb0922b33510f993370129c96f76bcc4f0642b09fdf25ac9e0cc0a113?s=96&d=mm&r=g","width":96,"height":96,"caption":"Ryan"}},{"@type":"WebPage","@id":"https:\/\/www.huronresearch.ca\/courtesansofindia\/?p=407#webpage","url":"https:\/\/www.huronresearch.ca\/courtesansofindia\/?p=407","name":"Kesavan, Mukul. \u201cUrdu, Awadh, and the Tawaif: the Islamicate roots of Hindi Cinema.\u201d Forging Identities: Gender, Communities and the State in India. Edited by Zoya Hasan, Westview, 1994, pp. 244-257. | Courtesans of India","inLanguage":"en-US","isPartOf":{"@id":"https:\/\/www.huronresearch.ca\/courtesansofindia\/#website"},"breadcrumb":{"@id":"https:\/\/www.huronresearch.ca\/courtesansofindia\/?p=407#breadcrumblist"},"author":{"@id":"https:\/\/www.huronresearch.ca\/courtesansofindia\/?author=1#author"},"creator":{"@id":"https:\/\/www.huronresearch.ca\/courtesansofindia\/?author=1#author"},"datePublished":"2018-03-26T14:19:58-05:00","dateModified":"2021-02-02T12:35:27-05:00"},{"@type":"WebSite","@id":"https:\/\/www.huronresearch.ca\/courtesansofindia\/#website","url":"https:\/\/www.huronresearch.ca\/courtesansofindia\/","name":"Courtesans of India","description":"Centering Devadasis and Tawaifs","inLanguage":"en-US","publisher":{"@id":"https:\/\/www.huronresearch.ca\/courtesansofindia\/#organization"}}]},"og:locale":"en_US","og:site_name":"Courtesans of India | Centering Devadasis and Tawaifs","og:type":"article","og:title":"Kesavan, Mukul. \u201cUrdu, Awadh, and the Tawaif: the Islamicate roots of Hindi Cinema.\u201d Forging Identities: Gender, Communities and the State in India. Edited by Zoya Hasan, Westview, 1994, pp. 244-257. | Courtesans of India","og:url":"https:\/\/www.huronresearch.ca\/courtesansofindia\/?p=407","article:published_time":"2018-03-26T19:19:58+00:00","article:modified_time":"2021-02-02T17:35:27+00:00","twitter:card":"summary","twitter:title":"Kesavan, Mukul. \u201cUrdu, Awadh, and the Tawaif: the Islamicate roots of Hindi Cinema.\u201d Forging Identities: Gender, Communities and the State in India. Edited by Zoya Hasan, Westview, 1994, pp. 244-257. | Courtesans of India"},"aioseo_meta_data":{"post_id":"407","title":null,"description":null,"keywords":null,"keyphrases":null,"primary_term":null,"canonical_url":null,"og_title":null,"og_description":null,"og_object_type":"default","og_image_type":"default","og_image_url":null,"og_image_width":null,"og_image_height":null,"og_image_custom_url":null,"og_image_custom_fields":null,"og_video":null,"og_custom_url":null,"og_article_section":null,"og_article_tags":null,"twitter_use_og":false,"twitter_card":"default","twitter_image_type":"default","twitter_image_url":null,"twitter_image_custom_url":null,"twitter_image_custom_fields":null,"twitter_title":null,"twitter_description":null,"schema":{"blockGraphs":[],"customGraphs":[],"default":{"data":{"Article":[],"Course":[],"Dataset":[],"FAQPage":[],"Movie":[],"Person":[],"Product":[],"ProductReview":[],"Car":[],"Recipe":[],"Service":[],"SoftwareApplication":[],"WebPage":[]},"graphName":"","isEnabled":true},"graphs":[]},"schema_type":null,"schema_type_options":null,"pillar_content":false,"robots_default":true,"robots_noindex":false,"robots_noarchive":false,"robots_nosnippet":false,"robots_nofollow":false,"robots_noimageindex":false,"robots_noodp":false,"robots_notranslate":false,"robots_max_snippet":null,"robots_max_videopreview":null,"robots_max_imagepreview":"large","priority":null,"frequency":null,"location":null,"local_seo":null,"breadcrumb_settings":null,"limit_modified_date":false,"ai":null,"created":"2020-12-21 14:11:48","updated":"2025-11-15 15:26:33","seo_analyzer_scan_date":null},"aioseo_breadcrumb":"<div class=\"aioseo-breadcrumbs\"><span class=\"aioseo-breadcrumb\">\n\t\t\t<a href=\"https:\/\/www.huronresearch.ca\/courtesansofindia\" title=\"Home\">Home<\/a>\n\t\t<\/span><span class=\"aioseo-breadcrumb-separator\">&raquo;<\/span><span class=\"aioseo-breadcrumb\">\n\t\t\t<a href=\"https:\/\/www.huronresearch.ca\/courtesansofindia\/?cat=41\" title=\"Films\">Films<\/a>\n\t\t<\/span><span class=\"aioseo-breadcrumb-separator\">&raquo;<\/span><span class=\"aioseo-breadcrumb\">\n\t\t\tKesavan, Mukul.  \u201cUrdu, Awadh, and the Tawaif: the Islamicate roots of Hindi Cinema.\u201d  Forging Identities: Gender, Communities and the State in India.  Edited by Zoya Hasan,  Westview, 1994,  pp. 244-257.\n\t\t<\/span><\/div>","aioseo_breadcrumb_json":[{"label":"Home","link":"https:\/\/www.huronresearch.ca\/courtesansofindia"},{"label":"Films","link":"https:\/\/www.huronresearch.ca\/courtesansofindia\/?cat=41"},{"label":"Kesavan, Mukul.  \u201cUrdu, Awadh, and the Tawaif: the Islamicate roots of Hindi Cinema.\u201d  Forging Identities: Gender, Communities and the State in India.  Edited by Zoya Hasan,  Westview, 1994,  pp. 244-257.","link":"https:\/\/www.huronresearch.ca\/courtesansofindia\/?p=407"}],"_links":{"self":[{"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=\/wp\/v2\/posts\/407","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=407"}],"version-history":[{"count":0,"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=\/wp\/v2\/posts\/407\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=407"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=407"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=407"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}