“Performing Pasts: Reinventing the Arts in Modern South India, edited by Indira Viswanathan Peterson and Davesh Soneji, explores the formation of classical traditions in the performing arts of South India. Through ten articles by leading scholars in the field, the volume describes the shifts involved in what reformers termed the \u201crevival\u201d of traditions: from temples to concert halls; from hereditary, lower-caste performers to upper-caste outsiders; from guru-shishya relationships to formal curricula; and from ritual practice to aesthetic experiences\u2026 it argues for new understandings of both agency and hegemony in classicization projects. In terms of agency, authors identify a broader set of actors as central to the process; instead of just Brahmin, middle-class reformers, the articles draw attention to the role of former devadasis (women who performed ritual temple dances) in creating, reforming, and preserving dance culture, and that of professional musicians in standardizing musical performance and notation.”<\/p>\n
Source:\u00a0 Abigail McGowan (2009) Performing Pasts: Reinventing the
\nArts in Modern South India, History: Reviews of New Books, 37:4, 151-151<\/p>\n","protected":false},"excerpt":{"rendered":"
“Performing Pasts: Reinventing the Arts in Modern South India, edited by Indira Viswanathan Peterson and Davesh Soneji, explores the formation of classical traditions in the performing arts of South India. Through ten articles by leading scholars in the field, the volume describes the shifts involved in what reformers termed the \u201crevival\u201d of traditions: from temples Read More …<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":"","_links_to":"","_links_to_target":""},"categories":[55,83,64],"tags":[24,34,23,88],"class_list":["post-375","post","type-post","status-publish","format-standard","hentry","category-dance","category-history","category-history-devadasis","tag-dance","tag-devadasi","tag-history","tag-music"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=\/wp\/v2\/posts\/375","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=375"}],"version-history":[{"count":0,"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=\/wp\/v2\/posts\/375\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=375"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=375"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=375"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}