{"id":341,"date":"2018-01-16T14:28:35","date_gmt":"2018-01-16T19:28:35","guid":{"rendered":"http:\/\/www.huronresearch.ca\/courtesansofindia\/?p=341"},"modified":"2018-04-09T10:53:01","modified_gmt":"2018-04-09T15:53:01","slug":"soneji-davesh-ed-bharatanatyam-a-reader-new-delhi-oxford-up-2010-print","status":"publish","type":"post","link":"https:\/\/www.huronresearch.ca\/courtesansofindia\/?p=341","title":{"rendered":"Soneji, Davesh, ed. Bharatanatyam: A Reader. Oxford UP, 2010."},"content":{"rendered":"<p><strong>From\u00a0<em>Amazon.com<\/em>: <\/strong>&#8220;A dynamic, living cultural practice of modern South Asia, Bharatanatyam is widely recognized as one of the world&#8217;s fastest-growing dance forms. This reader brings together some of the most important essays on Bharatanatyam written over the last two hundred years. Drawing from history, dance studies, women&#8217;s studies, religious studies, and ethnomusicology, this reader shows how this dance form has generated complex social histories and varied aesthetic practices. The comprehensive Introduction provides a broad understanding of the historical, socio-political, and aesthetic issues in Bharatanatyam alongside a contextual mapping of the sources.&#8221;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>From\u00a0Amazon.com: &#8220;A dynamic, living cultural practice of modern South Asia, Bharatanatyam is widely recognized as one of the world&#8217;s fastest-growing dance forms. This reader brings together some of the most important essays on Bharatanatyam written over the last two hundred years. Drawing from history, dance studies, women&#8217;s studies, religious studies, and ethnomusicology, this reader shows <a class=\"more-link\" href=\"https:\/\/www.huronresearch.ca\/courtesansofindia\/?p=341\">Read More &#8230;<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":"","_links_to":"","_links_to_target":""},"categories":[55],"tags":[24],"class_list":["post-341","post","type-post","status-publish","format-standard","hentry","category-dance","tag-dance"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=\/wp\/v2\/posts\/341","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=341"}],"version-history":[{"count":0,"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=\/wp\/v2\/posts\/341\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=341"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=341"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=341"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}