{"id":1244,"date":"2022-01-24T13:10:34","date_gmt":"2022-01-24T18:10:34","guid":{"rendered":"https:\/\/www.huronresearch.ca\/courtesansofindia\/?p=1244"},"modified":"2022-01-24T13:10:35","modified_gmt":"2022-01-24T18:10:35","slug":"waheed-sara-an-archive-of-urdu-feminist-fiction-and-bombays-gaanewalis-economic-and-political-weekly-vol-49-no-10-2014-25-27","status":"publish","type":"post","link":"https:\/\/www.huronresearch.ca\/courtesansofindia\/?p=1244","title":{"rendered":"Waheed, Sara. &#8220;An Archive of Urdu Feminist Fiction and Bombay&#8217;s &#8220;Gaanewalis.&#8221;&#8221; Economic and Political Weekly, Vol. 49, No. 10, 2014. 25-27."},"content":{"rendered":"\n<p><\/p>\n\n\n\n\n\n<p>From the article: <\/p>\n\n\n\n<p>&#8220;The allusions of the Hindi film Dedh Ishqiya successfully combine Urdu feminist fiction with a history of Mumbai&#8217;s studio culture. At its heart is a plot line that is 72 years old and based upon the Urdu short story Lihaf about a homoerotic relationship between two women. The emergence of female voice in the heyday of the Indian nationalist movement &#8211; both in terms of its commodification through radio and other new media as well as through collective political assertions by feminist critics &#8211; is narrated anew within Dedh Ishqiya.&#8221;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>From the article: &#8220;The allusions of the Hindi film Dedh Ishqiya successfully combine Urdu feminist fiction with a history of Mumbai&#8217;s studio culture. At its heart is a plot line that is 72 years old and based upon the Urdu short story Lihaf about a homoerotic relationship between two women. The emergence of female voice <a class=\"more-link\" href=\"https:\/\/www.huronresearch.ca\/courtesansofindia\/?p=1244\">Read More &#8230;<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":"","_links_to":"","_links_to_target":""},"categories":[41,83],"tags":[56,23],"class_list":["post-1244","post","type-post","status-publish","format-standard","hentry","category-films","category-history","tag-courtesan-films","tag-history"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=\/wp\/v2\/posts\/1244","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1244"}],"version-history":[{"count":0,"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=\/wp\/v2\/posts\/1244\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1244"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1244"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1244"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}