{"id":1212,"date":"2022-01-06T19:20:00","date_gmt":"2022-01-07T00:20:00","guid":{"rendered":"https:\/\/www.huronresearch.ca\/courtesansofindia\/?p=1212"},"modified":"2022-01-24T12:53:30","modified_gmt":"2022-01-24T17:53:30","slug":"putcha-rumya-dancing-in-place-mythopoetics-and-the-production-of-history-in-kuchipudi","status":"publish","type":"post","link":"https:\/\/www.huronresearch.ca\/courtesansofindia\/?p=1212","title":{"rendered":"Putcha, Rumya. \u201cDancing in Place: Mythopoetics And The Production Of History In Kuchipudi\u201d"},"content":{"rendered":"\n<p>From the abstract: \u201cIn the twenty-first century, the term \u201c<em>kuchipudi<\/em>\u201d refers to a style of dance, a South Indian classical genre which, to the untrained eye, is indistinguishable from its better known cousin, <em>bharatanatyam<\/em>. After India achieved Independence from the British in 1947, <em>kuchipudi <\/em>came to be known as a dance style synonymous with the Telugu-speaking state of Andhra Pradesh. <em>Kuchipudi<\/em>\u2019s metonymic status reveals a broader logic of linguistic, geographically grounded identitarianism; indeed, the dance known today as <em>kuchipudi<\/em> is said to hail from a physical place called Kuchipudi, an otherwise nondescript farming village located about fifty kilometres southeast of Vijayawada in central Andhra Pradesh.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"<p>From the abstract: \u201cIn the twenty-first century, the term \u201ckuchipudi\u201d refers to a style of dance, a South Indian classical genre which, to the untrained eye, is indistinguishable from its better known cousin, bharatanatyam. After India achieved Independence from the British in 1947, kuchipudi came to be known as a dance style synonymous with the <a class=\"more-link\" href=\"https:\/\/www.huronresearch.ca\/courtesansofindia\/?p=1212\">Read More &#8230;<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":"","_links_to":"","_links_to_target":""},"categories":[55,83],"tags":[112,24,26],"class_list":["post-1212","post","type-post","status-publish","format-standard","hentry","category-dance","category-history","tag-colonialism","tag-dance","tag-secondary-source"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=\/wp\/v2\/posts\/1212","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1212"}],"version-history":[{"count":0,"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=\/wp\/v2\/posts\/1212\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1212"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1212"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1212"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}