{"id":1188,"date":"2022-01-06T19:14:00","date_gmt":"2022-01-07T00:14:00","guid":{"rendered":"https:\/\/www.huronresearch.ca\/courtesansofindia\/?p=1188"},"modified":"2022-01-24T12:55:17","modified_gmt":"2022-01-24T17:55:17","slug":"howard-grace-courtesans-in-colonial-india-representations-of-british-power-through-understandings-of-nautch-girls-devadasis-tawaifs-and-sex-work-c-1750-1883-2019-university-of-guelph-m-a-di","status":"publish","type":"post","link":"https:\/\/www.huronresearch.ca\/courtesansofindia\/?p=1188","title":{"rendered":"Howard, Grace. Courtesans in Colonial India Representations of British Power through Understandings of Nautch-Girls, Devadasis, Tawaifs, and Sex-Work, c. 1750-1883. 2019. University of Guelph, M.A. dissertation."},"content":{"rendered":"\n<p>From the abstract:<\/p>\n\n\n\n<p>\u201cBritish representations of courtesans, or <em>nautch-<\/em>girls, is an emerging area of study in relation to the impact of British imperialism on constructions of Indian womanhood. The <em>nautch <\/em>was a form of dance and entertainment, performed by courtesans, that originated in early Indiancivilizations and was connected to various Hindu temples. <em>Nautch <\/em>performances and courtesanswere a feature of early British experiences of India and, therefore, influenced British genderedrepresentations of Indian women. My research explores the shifts in British perceptions of Indianwomen, and the impact this had on imperial discourses, from the mid-eighteenth through the latenineteenth centuries. Over the course of the colonial period examined in this research, the Britishincreasingly imported their own social values and beliefs into India. British constructions ofgender, ethnicity, and class in India altered ideas and ideals concerning appropriate behaviour,sexuality, sexual availability, and sex-specific gender roles in the subcontinent. This thesis explores the production of British lifestyles and imperial culture in India and the ways in which this influenced their representation of courtesans. During the nabob period of the eighteenth century, <em>nautch <\/em>parties worked as a form of cultural interaction between Indian elites and British East India Company officials. However, over the course of the nineteenth century the <em>nautch <\/em>and <em>nautch-<\/em>girls became symbolic to the British of India\u2019s \u2018despotism\u2019 and \u2018backwardness,\u2019 as well as representative of the supposed dangers of miscegenation and Eastern sensuality. By the midnineteenthcentury, <em>nautch-<\/em>girls were represented as commercial sex-workers and were subject to the increasing surveillance and medical intervention of the British colonial state. In addition, this representation perpetuated the belief of the British \u2018saving\u2019 Indian women as a way to justify the continuation of colonialism in India. My research explores how British conceptualizations of courtesans were fundamental to the justification of the imperial project in India, as well as representative of changing British perceptions of their own political and territorial power in the subcontinent.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"<p>From the abstract: \u201cBritish representations of courtesans, or nautch-girls, is an emerging area of study in relation to the impact of British imperialism on constructions of Indian womanhood. The nautch was a form of dance and entertainment, performed by courtesans, that originated in early Indiancivilizations and was connected to various Hindu temples. Nautch performances and <a class=\"more-link\" href=\"https:\/\/www.huronresearch.ca\/courtesansofindia\/?p=1188\">Read More &#8230;<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":"","_links_to":"","_links_to_target":""},"categories":[55,83,82,64,65],"tags":[31,69,23,26],"class_list":["post-1188","post","type-post","status-publish","format-standard","hentry","category-dance","category-history","category-history-dance","category-history-devadasis","category-history-tawaifs","tag-courtesan","tag-gender-roles","tag-history","tag-secondary-source"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=\/wp\/v2\/posts\/1188","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1188"}],"version-history":[{"count":0,"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=\/wp\/v2\/posts\/1188\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1188"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1188"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1188"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}