{"id":1135,"date":"2021-04-06T16:39:33","date_gmt":"2021-04-06T21:39:33","guid":{"rendered":"http:\/\/www.huronresearch.ca\/courtesansofindia\/?p=1135"},"modified":"2021-04-06T16:41:46","modified_gmt":"2021-04-06T21:41:46","slug":"shah-hasan-the-dancing-girl-translated-by-qurratulain-hyder-new-directions-1993","status":"publish","type":"post","link":"https:\/\/www.huronresearch.ca\/courtesansofindia\/?p=1135","title":{"rendered":"Shah, Hasan. The Dancing Girl. Translated by Qurratulain Hyder. New Directions, 1993."},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Google Books Description<\/h2>\n\n\n\n<p>Written in 1790, Hasan Shah&#8217;s autobiographical romance, <em>The Dancing Girl<\/em>, is remarkable for both its lyrical prose and its fine recreation of a time, a place, and a culture &#8211; India in the 1780s, a tolerant, affable era before the full establishment of British colonial rule. The Dancing Girl tells of the doomed love of Hasan Shah (aide-de-camp to a British officer) and Khanum Jan (a courageous and gifted dancer of the courtesan caste) whose secret marriage could not prevent their separation. At Khanum Jan&#8217;s death, her grief-stricken husband turned his raw emotion into a surprisingly modern, first-person narrative &#8220;without realizing,&#8221; as leading Urdu novelist Qurratulain Hyder observes in the foreword to her translation (from the 1893 Urdu translation of the original Persian), &#8220;that he had become a pioneer of the modern Indian novel.&#8221;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Google Books Description Written in 1790, Hasan Shah&#8217;s autobiographical romance, The Dancing Girl, is remarkable for both its lyrical prose and its fine recreation of a time, a place, and a culture &#8211; India in the 1780s, a tolerant, affable era before the full establishment of British colonial rule. The Dancing Girl tells of the <a class=\"more-link\" href=\"https:\/\/www.huronresearch.ca\/courtesansofindia\/?p=1135\">Read More &#8230;<\/a><\/p>\n","protected":false},"author":13,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":"","_links_to":"","_links_to_target":""},"categories":[132,53],"tags":[135,48,49],"class_list":["post-1135","post","type-post","status-publish","format-standard","hentry","category-literature-with-courtesan-characters","category-profiles","tag-literature-with-courtesan-characters","tag-primary-source","tag-tawaif"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=\/wp\/v2\/posts\/1135","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1135"}],"version-history":[{"count":0,"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=\/wp\/v2\/posts\/1135\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1135"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1135"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.huronresearch.ca\/courtesansofindia\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1135"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}