Art and Culture<\/strong><\/h1><\/div>\n\t\t\t<\/div><\/div><\/div>\n\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\tThis section explores the bond between Chinese and Indigenous culture in Canada. The symbolic and historical connection between Chinese and Indigenous, costume, art, culture, festival, and traditional medical practices shed light on the groups' shared past. The art and culture represented in this section brings awareness to the historical relationships and cultural bridges that have been formed by the Chinese-indigenous groups, highlighting how these connections and shared adversities still exist in the present day.\u00a0<\/span><\/p><\/div>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\tRodriguez, Jeremiah. \u201cIndigenous, Asian 'Collective Hurt' Inspires Crowdsourced Masks Designs.\u201dCTVNews<\/i>, 5 Jan. 2021, <\/strong><\/h1><\/div>\n\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t![\"\"](\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" "\\"pexels-anna-shvets-3786126\\"")
<\/span>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\tIn wake of the Global Covid-19 pandemic an artistic mask project has emerged, connecting the \u201ccollective hurt\u201d of the Indigenous and Asian communities. The goal of this project is to bring awareness to the experiences of both the cultural groups during the pandemic as they have been disproportionately impacted as a result of the Covid-19 pandemic.\u00a0 Through the medium of mask design people from all over the world participate and submit their designs. The designs are representative of the trauma and suffering experienced both historically and at present by Asian and Indigenous communities. This project hopes to bring awareness to the \u201ccollective hurt\u201d as a result of racial discrimination experienced by the groups in order to educate individuals on the current issues being experienced by Chinese and Indigenous communities.<\/span><\/p><\/div>\n\t\t\t<\/div>\n\t\t\t\tRead More<\/a>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\tVikander, Tessa. \u201cLunarFest Connects Asian-Canadians to Indigenous Community.\u201d Thestar.com<\/i>, 5 Feb. 2019, <\/strong><\/h1><\/div>\n\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<\/span>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\tThis article unveils the intersection of Asian-Canadian and Indigenous communities by looking at the LunarFest festival that is held in Vancouver. The article suggests that Chinese individuals who immigrate to Canada often lack the historical knowledge of the racial mistreatment and discrimination of Indigenous people in Canada. By inviting artists of Chinese and Indigenous descent,\u00a0 the festival brings awareness to the historical relationships and cultural bridges between the two groups. Through the intersection of Chinese and First Nations art it is encouraged that Canadians acknowledge the histories of the racial mistreatment experienced by Indigenous people in Canada.\u00a0<\/span><\/p><\/div>\n\t\t\t<\/div>\n\t\t\t\tRead More<\/a>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\tFrance, Honor\u00e9, and Carmen Rodriguez. \u201cTraditional Chinese Medicine in Canada: An Indigenous Perspective.\u201d Chinese Medicine and Culture<\/i>, vol. 2, no. 1, 2019, pp.1-5.<\/strong><\/h1><\/div>\n\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<\/span>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\tFrance and Rodriguez highlight the connection between traditional Chinese medicine (TCM) and Indigenous peoples' use of the practice in Canada. Outlining the similarities between the philosophies and practices of traditional Chinese medicine and Indigenous folk medicine. This study takes a historical approach in order to look at how TCM has become popular in Indigenous communities,\u00a0 outlining the different methods, remedies, and ingredients that bear similarity in the medical practices of TCM and Indigenous folk medicine. France and Rodriguez suggest that the philosophies and practices in traditional Chinese medicine reflect the psychological and spiritual connection between oneself and creation that is highly valued in Indigenous folk medicine.\u00a0<\/span><\/p><\/div>\n\t\t\t<\/div>\n\t\t\t\tRead More<\/a>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\u201cChinese Dragons and Indigenous Tricksters: Lessons for Leadership through an Intersection of People, Culture, Thought, and Practice\u201d by William G. Lindsay\u201d<\/b><\/h1><\/div>\n\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<\/span>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\u201cOlder First nations relatives and acquaintances who came of age in the 1940s and 50s have recalled to me [W. Lindsay] a time when they and the Chinese were not allowed on the main decks of the BC ferries. They waited below, together, on the car decks. They remember, too, when mainstream cafes, in an accepted practice of the era, would not cater to \u201cIndians\u201d or Chinese. The only restaurants that fully welcomed First Nations people\u2019s patronage were Chinese.\u201d (p. 921)<\/span><\/i>
William G. Lindsay is from the Cree-Stoney Nations. Now retired, he was a long time educator and administrator in the field of Indigenous post secondary education in British Columbia. His work focused on the Indigenization of universities.<\/span><\/p>\nThis paper explores and highlights the similarities between classical Chinese philosophies and the practices of traditional Canadian First Nations peoples. Lindsay himself has also observed first-hand how the two cultures\u2019 intersections have overlapped, continuing a 150-year tradition in British Columbia. In examining how these connections are both past and present in modern British Columbia, brought forth are two major questions:<\/span><\/p>\n(1) What fascinating observations can be made and what personal, philosophical, and leadership lessons can be contrasted and compared, learned and shard through this historic intersection of peoples, cultures, thoughts, and practices?<\/span><\/p>\n(2) Can these over-lapping examples assist in solving larger problems of identity in the modern world?<\/span><\/p><\/div>\n\t\t\t<\/div>
This section explores the bond between Chinese and Indigenous culture in Canada. The symbolic and historical connection between Chinese and Indigenous, costume, art, culture, festival, and traditional medical practices shed light on the groups' shared past. The art and culture represented in this section brings awareness to the historical relationships and cultural bridges that have been formed by the Chinese-indigenous groups, highlighting how these connections and shared adversities still exist in the present day.\u00a0<\/span><\/p><\/div>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div> In wake of the Global Covid-19 pandemic an artistic mask project has emerged, connecting the \u201ccollective hurt\u201d of the Indigenous and Asian communities. The goal of this project is to bring awareness to the experiences of both the cultural groups during the pandemic as they have been disproportionately impacted as a result of the Covid-19 pandemic.\u00a0 Through the medium of mask design people from all over the world participate and submit their designs. The designs are representative of the trauma and suffering experienced both historically and at present by Asian and Indigenous communities. This project hopes to bring awareness to the \u201ccollective hurt\u201d as a result of racial discrimination experienced by the groups in order to educate individuals on the current issues being experienced by Chinese and Indigenous communities.<\/span><\/p><\/div>\n\t\t\t<\/div> This article unveils the intersection of Asian-Canadian and Indigenous communities by looking at the LunarFest festival that is held in Vancouver. The article suggests that Chinese individuals who immigrate to Canada often lack the historical knowledge of the racial mistreatment and discrimination of Indigenous people in Canada. By inviting artists of Chinese and Indigenous descent,\u00a0 the festival brings awareness to the historical relationships and cultural bridges between the two groups. Through the intersection of Chinese and First Nations art it is encouraged that Canadians acknowledge the histories of the racial mistreatment experienced by Indigenous people in Canada.\u00a0<\/span><\/p><\/div>\n\t\t\t<\/div> France and Rodriguez highlight the connection between traditional Chinese medicine (TCM) and Indigenous peoples' use of the practice in Canada. Outlining the similarities between the philosophies and practices of traditional Chinese medicine and Indigenous folk medicine. This study takes a historical approach in order to look at how TCM has become popular in Indigenous communities,\u00a0 outlining the different methods, remedies, and ingredients that bear similarity in the medical practices of TCM and Indigenous folk medicine. France and Rodriguez suggest that the philosophies and practices in traditional Chinese medicine reflect the psychological and spiritual connection between oneself and creation that is highly valued in Indigenous folk medicine.\u00a0<\/span><\/p><\/div>\n\t\t\t<\/div> \u201cOlder First nations relatives and acquaintances who came of age in the 1940s and 50s have recalled to me [W. Lindsay] a time when they and the Chinese were not allowed on the main decks of the BC ferries. They waited below, together, on the car decks. They remember, too, when mainstream cafes, in an accepted practice of the era, would not cater to \u201cIndians\u201d or Chinese. The only restaurants that fully welcomed First Nations people\u2019s patronage were Chinese.\u201d (p. 921)<\/span><\/i> This paper explores and highlights the similarities between classical Chinese philosophies and the practices of traditional Canadian First Nations peoples. Lindsay himself has also observed first-hand how the two cultures\u2019 intersections have overlapped, continuing a 150-year tradition in British Columbia. In examining how these connections are both past and present in modern British Columbia, brought forth are two major questions:<\/span><\/p>\n (1) What fascinating observations can be made and what personal, philosophical, and leadership lessons can be contrasted and compared, learned and shard through this historic intersection of peoples, cultures, thoughts, and practices?<\/span><\/p>\n (2) Can these over-lapping examples assist in solving larger problems of identity in the modern world?<\/span><\/p><\/div>\n\t\t\t<\/div>Rodriguez, Jeremiah. \u201cIndigenous, Asian 'Collective Hurt' Inspires Crowdsourced Masks Designs.\u201dCTVNews<\/i>, 5 Jan. 2021, <\/strong><\/h1><\/div>\n\t\t\t<\/div>
![\"\"](\"http:\/\/www.huronresearch.ca\/chinese-indigenous-relations\/wp-content\/uploads\/sites\/85\/2021\/04\/pexels-anna-shvets-3786126-scaled.jpeg\" "\\"pexels-anna-shvets-3786126\\"")
<\/span>\n\t\t\t<\/div>\n\t\t\t<\/div>Vikander, Tessa. \u201cLunarFest Connects Asian-Canadians to Indigenous Community.\u201d Thestar.com<\/i>, 5 Feb. 2019, <\/strong><\/h1><\/div>\n\t\t\t<\/div>
![\"\"](\"http:\/\/www.huronresearch.ca\/chinese-indigenous-relations\/wp-content\/uploads\/sites\/85\/2021\/01\/long.jpeg\" "\\"long\\"")
<\/span>\n\t\t\t<\/div>\n\t\t\t<\/div>France, Honor\u00e9, and Carmen Rodriguez. \u201cTraditional Chinese Medicine in Canada: An Indigenous Perspective.\u201d Chinese Medicine and Culture<\/i>, vol. 2, no. 1, 2019, pp.1-5.<\/strong><\/h1><\/div>\n\t\t\t<\/div>
![\"\"](\"http:\/\/www.huronresearch.ca\/chinese-indigenous-relations\/wp-content\/uploads\/sites\/85\/2021\/04\/leon-gao-ooX-lfJqzhE-unsplash-scaled.jpeg\" "\\"leon-gao-ooX-lfJqzhE-unsplash\\"")
<\/span>\n\t\t\t<\/div>\n\t\t\t<\/div>\u201cChinese Dragons and Indigenous Tricksters: Lessons for Leadership through an Intersection of People, Culture, Thought, and Practice\u201d by William G. Lindsay\u201d<\/b><\/h1><\/div>\n\t\t\t<\/div>
![\"\"](\"http:\/\/www.huronresearch.ca\/chinese-indigenous-relations\/wp-content\/uploads\/sites\/85\/2021\/04\/pexels-eva-elijas-6068533-scaled.jpeg\" "\\"pexels-eva-elijas-6068533\\"")
<\/span>\n\t\t\t<\/div>\n\t\t\t<\/div>
William G. Lindsay is from the Cree-Stoney Nations. Now retired, he was a long time educator and administrator in the field of Indigenous post secondary education in British Columbia. His work focused on the Indigenization of universities.<\/span><\/p>\n
![\"\"](\"https:\/\/www.huronresearch.ca\/chinese-indigenous-relations\/wp-content\/uploads\/sites\/92\/2021\/04\/pexels-magic-k-6728271-scaled.jpeg\" "\\"pexels-magic-k-6728271\\"")
<\/span>\n\t\t\t<\/div>\n\t\t\t<\/div>![\"\"](\"http:\/\/www.huronresearch.ca\/chinese-indigenous-relations\/wp-content\/uploads\/sites\/85\/2021\/04\/richard-tao-CH7W0beldfk-unsplash-scaled.jpeg\" "\\"richard-tao-CH7W0beldfk-unsplash\\"")
<\/span>\n\t\t\t<\/div>\n\t\t\t<\/div>