{"id":59,"date":"2021-01-29T19:38:08","date_gmt":"2021-01-29T19:38:08","guid":{"rendered":"http:\/\/www.huronresearch.ca\/chinese-indigenous-relations\/?page_id=59"},"modified":"2021-09-01T20:58:43","modified_gmt":"2021-09-01T20:58:43","slug":"literature-and-film","status":"publish","type":"page","link":"https:\/\/www.huronresearch.ca\/chinese-indigenous-relations\/literature-and-film\/","title":{"rendered":"Literature and Film"},"content":{"rendered":"<p><div class=\"et_d4_element et_pb_section et_pb_section_0 et_pb_with_background  et_pb_css_mix_blend_mode et_section_regular et_block_section\" >\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_d4_element et_pb_row et_pb_row_0  et_pb_css_mix_blend_mode et_block_row\">\n\t\t\t\t<div class=\"et_d4_element et_pb_column_4_4 et_pb_column et_pb_column_0  et_pb_css_mix_blend_mode et-last-child et_block_column\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_module et_d4_element et_pb_text et_pb_text_0  et_pb_text_align_left et_pb_bg_layout_dark\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_text_inner\"><h1><b>Literature and Film<\/b><\/h1><\/div>\n\t\t\t<\/div><div class=\"et_pb_module et_d4_element et_pb_divider et_pb_divider_0 et_pb_divider_position_center et_pb_space\"><div class=\"et_pb_divider_internal\"><\/div><\/div>\n\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div><div class=\"et_d4_element et_pb_section et_pb_section_1  et_pb_css_mix_blend_mode et_section_regular et_block_section\" >\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_d4_element et_pb_row et_pb_row_1  et_pb_css_mix_blend_mode et_block_row\">\n\t\t\t\t<div class=\"et_d4_element et_pb_column_4_4 et_pb_column et_pb_column_1  et_pb_css_mix_blend_mode et-last-child et_block_column\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_module et_d4_element et_pb_text et_pb_text_1  et_pb_text_align_left et_pb_bg_layout_light\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_text_inner\"><p><span style=\"font-weight: 400;color: #000000\">This section unravels the oppression of Chinese-Indigenous identities in Canadian history. Through literature and film, we can understand the misfortune and distress experienced by Canadian-Indigenous individuals through historical accounts of racism, stories of lost heritage, and identity. The literary works and films presented in this section encourage us to acknowledge the cultural segregation experienced by Chinese and Indigenous peoples in Canada.<\/span><\/p><\/div>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div><div class=\"et_d4_element et_pb_section et_pb_section_2  et_pb_css_mix_blend_mode et_section_regular et_block_section\" >\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_d4_element et_pb_row et_pb_row_2  et_pb_css_mix_blend_mode et_block_row\">\n\t\t\t\t<div class=\"et_d4_element et_pb_column_1_2 et_pb_column et_pb_column_2  et_pb_css_mix_blend_mode et_block_column\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_module et_d4_element et_pb_image et_pb_image_0\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<span class=\"et_pb_image_wrap \"><img decoding=\"async\" width=\"646\" height=\"1024\" data-src=\"http:\/\/www.huronresearch.ca\/chinese-indigenous-relations\/wp-content\/uploads\/sites\/85\/2021\/02\/Disappearing-Moon-Cafe-1-646x1024-1.jpg\" alt=\"\" title=\"\" data-srcset=\"https:\/\/www.huronresearch.ca\/chinese-indigenous-relations\/wp-content\/uploads\/sites\/92\/2021\/02\/Disappearing-Moon-Cafe-1-646x1024-1.jpg 646w, https:\/\/www.huronresearch.ca\/chinese-indigenous-relations\/wp-content\/uploads\/sites\/92\/2021\/02\/Disappearing-Moon-Cafe-1-646x1024-1-189x300.jpg 189w\" data-sizes=\"(max-width: 646px) 100vw, 646px\" class=\"wp-image-185 lazyload\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 646px; --smush-placeholder-aspect-ratio: 646\/1024;\" \/><\/span>\n\t\t\t<\/div>\n\t\t\t<\/div><div class=\"et_d4_element et_pb_column_1_2 et_pb_column et_pb_column_3  et_pb_css_mix_blend_mode et-last-child et_block_column\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_module et_d4_element et_pb_text et_pb_text_2  et_pb_text_align_left et_pb_bg_layout_light\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_text_inner\"><h1><b>Disappearing Moon Cafe (2006)- Sky Lee<\/b><\/h1><\/div>\n\t\t\t<\/div><div class=\"et_pb_module et_d4_element et_pb_text et_pb_text_3  et_pb_text_align_left et_pb_bg_layout_light\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_text_inner\"><p><span style=\"font-weight: 400\">This novel portrays the life of a Chinese Canadian family in 19th century British Columbia, late 20th century Hong Kong, and Vancouver\u2019s Chinatown. The plot follows the intricate and emotional story of four generations of women whose lives are affected by racialization and discrimination for first generation Canadian immigrantss, as well as family history and secrets. Chinese-Indigenous relations are explored by the melancholic mourning of the elderly family patriarch, Gwei Chang, who reminisces about the love of his life, Kelora, and Indigenous woman and how colonial shame an classist denigration affected their relationship.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Chinese and English Versions of Sky Lee\u2019s Disappearing Moon Cafe.<\/span><\/p><\/div>\n\t\t\t<\/div><div class=\"et_pb_button_module_wrapper et_pb_button_0_wrapper  et_pb_module \">\n\t\t\t\t<a class=\"et_pb_button et_d4_element et_pb_button_0 et_hover_enabled et_pb_bg_layout_light et_block_module\" href=\"https:\/\/newestpress.com\/books\/disappearing-moon-cafe\" target=\"_blank\" data-icon=\"&#x24;\">Read More<\/a>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div><div class=\"et_d4_element et_pb_row et_pb_row_3  et_pb_css_mix_blend_mode et_block_row\">\n\t\t\t\t<div class=\"et_d4_element et_pb_column_1_2 et_pb_column et_pb_column_4  et_pb_css_mix_blend_mode et_block_column\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_module et_d4_element et_pb_image et_pb_image_1\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<span class=\"et_pb_image_wrap \"><img decoding=\"async\" width=\"992\" height=\"1440\" data-src=\"http:\/\/www.huronresearch.ca\/chinese-indigenous-relations\/wp-content\/uploads\/sites\/85\/2021\/02\/Canadian-Lit-124-125-page-001-1.jpg\" alt=\"\" title=\"\" data-srcset=\"https:\/\/www.huronresearch.ca\/chinese-indigenous-relations\/wp-content\/uploads\/sites\/92\/2021\/02\/Canadian-Lit-124-125-page-001-1.jpg 992w, https:\/\/www.huronresearch.ca\/chinese-indigenous-relations\/wp-content\/uploads\/sites\/92\/2021\/02\/Canadian-Lit-124-125-page-001-1-207x300.jpg 207w, https:\/\/www.huronresearch.ca\/chinese-indigenous-relations\/wp-content\/uploads\/sites\/92\/2021\/02\/Canadian-Lit-124-125-page-001-1-705x1024.jpg 705w, https:\/\/www.huronresearch.ca\/chinese-indigenous-relations\/wp-content\/uploads\/sites\/92\/2021\/02\/Canadian-Lit-124-125-page-001-1-768x1115.jpg 768w\" data-sizes=\"(max-width: 992px) 100vw, 992px\" class=\"wp-image-186 lazyload\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 992px; --smush-placeholder-aspect-ratio: 992\/1440;\" \/><\/span>\n\t\t\t<\/div>\n\t\t\t<\/div><div class=\"et_d4_element et_pb_column_1_2 et_pb_column et_pb_column_5  et_pb_css_mix_blend_mode et-last-child et_block_column\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_module et_d4_element et_pb_text et_pb_text_4  et_pb_text_align_left et_pb_bg_layout_light\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_text_inner\"><h1><b>\u201cYin Chin\u201d (1990)--Lee Maracle<\/b><\/h1><\/div>\n\t\t\t<\/div><div class=\"et_pb_module et_d4_element et_pb_text et_pb_text_5  et_pb_text_align_left et_pb_bg_layout_light\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_text_inner\"><p><i><span style=\"font-weight: 400\">Yin Chin<\/span><\/i><span style=\"font-weight: 400\"> highlights issues of racism and stereotyping through the perspective of the oppression of Chinese and First Nations in Vancouver, Canada. Specifically looking at the prejudice that was formed towards the Chinese and First Nations individuals. The short story brings awareness to the subject of racism, where it is noted that any culture can form racist behaviours and cultural stereotypes toward other cultural groups. The short story encourages us to consider how one's lack of education can lead to negative stereotyping, therefore encouraging us to bring more awareness to this issue. <\/span> Writing special issue of Canadian Literature.<\/p><\/div>\n\t\t\t<\/div><div class=\"et_pb_button_module_wrapper et_pb_button_1_wrapper  et_pb_module \">\n\t\t\t\t<a class=\"et_pb_button et_d4_element et_pb_button_1 et_hover_enabled et_pb_bg_layout_light et_block_module\" href=\"https:\/\/canlit.ca\/wp-content\/uploads\/2015\/01\/CL124_Maracle.pdf\" target=\"_blank\" data-icon=\"&#x24;\">Read More<\/a>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div><div class=\"et_d4_element et_pb_row et_pb_row_4  et_pb_css_mix_blend_mode et_block_row\">\n\t\t\t\t<div class=\"et_d4_element et_pb_column_1_2 et_pb_column et_pb_column_6  et_pb_css_mix_blend_mode et_block_column\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_module et_d4_element et_pb_video_slider et_pb_video_slider_0\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_slider et_pb_preload et_pb_slider_carousel et_pb_slider_no_pagination et_pb_controls_\">\n\t\t\t\t\t<div class=\"et_pb_slides\">\n\t\t\t\t\t\t<div class=\"et_d4_element et_pb_video_slider_item_0 et_pb_slide et_pb_bg_layout_dark\" data-image=\"https:\/\/www.huronresearch.ca\/chinese-indigenous-relations\/wp-content\/uploads\/sites\/92\/2021\/03\/Lillian-Dyck-Not-Just-Chinese-Youtube-uploaded-by-chinesecanadianubc-14th-July-2011-.jpeg\">\n\t\t\t\t<div class=\"et_pb_video_wrap\"><div class=\"et_pb_video_box\"><iframe title=\"Lillian Dyck - Not Just Chinese (produced by CCS)\" width=\"1080\" height=\"608\" data-src=\"https:\/\/www.youtube.com\/embed\/R26FmjsY2sk?feature=oembed\"  allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" data-load-mode=\"1\"><\/iframe><\/div><div style=\"background-image:inherit\" class=\"et_pb_video_overlay lazyload\" data-bg-image=\"url(https:\/\/www.huronresearch.ca\/chinese-indigenous-relations\/wp-content\/uploads\/sites\/92\/2021\/03\/Lillian-Dyck-Not-Just-Chinese-Youtube-uploaded-by-chinesecanadianubc-14th-July-2011-.jpeg)\"><div class=\"et_pb_video_overlay_hover\"><a href=\"#\" class=\"et_pb_video_play\"><\/a><\/div><\/div><\/div>\n\t\t\t<\/div>\n\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\n\t\t\t<\/div><div class=\"et_d4_element et_pb_column_1_2 et_pb_column et_pb_column_7  et_pb_css_mix_blend_mode et-last-child et_block_column\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_module et_d4_element et_pb_text et_pb_text_6  et_pb_text_align_left et_pb_bg_layout_light\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_text_inner\"><h1 style=\"text-align: left\"><strong>Lillian Dyck - Not Just Chinese<\/strong><\/h1><\/div>\n\t\t\t<\/div><div class=\"et_pb_module et_d4_element et_pb_text et_pb_text_7  et_pb_text_align_left et_pb_bg_layout_light\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_text_inner\"><p><span style=\"font-weight: 400\">Canadian senator Lillian Dyck re-encounters the stories of her family,\u00a0 looking at her upbringing as a Chinese-Indigenous woman in Canada. Dyck expresses the issue of racism in which she talks about her personal suppression of her indigenous identity. She discusses her life in terms of her Chinese-Indigenous identity and how she came to terms with acknowledging her Indigenous heritage. She talks about the history that is being unveiled looking at the contributions that Chinese-First Nations have made.\u00a0<\/span><\/p><\/div>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div><div class=\"et_d4_element et_pb_row et_pb_row_5  et_pb_css_mix_blend_mode et_block_row\">\n\t\t\t\t<div class=\"et_d4_element et_pb_column_1_2 et_pb_column et_pb_column_8  et_pb_css_mix_blend_mode et_block_column\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_module et_d4_element et_pb_video_slider et_pb_video_slider_1\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_slider et_pb_preload et_pb_slider_carousel et_pb_slider_no_pagination et_pb_controls_\">\n\t\t\t\t\t<div class=\"et_pb_slides\">\n\t\t\t\t\t\t<div class=\"et_d4_element et_pb_video_slider_item_1 et_pb_slide et_pb_bg_layout_dark\" data-image=\"https:\/\/www.huronresearch.ca\/chinese-indigenous-relations\/wp-content\/uploads\/sites\/92\/2021\/03\/https-www.youtube.comwatchv4CO4WUo3JkMfeatureyoutu.be_.jpeg\">\n\t\t\t\t<div class=\"et_pb_video_wrap\"><div class=\"et_pb_video_box\"><iframe title=\"Scene from Caf\u00e9 Daughter at Backstage Theatre\" width=\"1080\" height=\"608\" data-src=\"https:\/\/www.youtube.com\/embed\/4CO4WUo3JkM?feature=oembed\"  allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" data-load-mode=\"1\"><\/iframe><\/div><div style=\"background-image:inherit\" class=\"et_pb_video_overlay lazyload\" data-bg-image=\"url(https:\/\/www.huronresearch.ca\/chinese-indigenous-relations\/wp-content\/uploads\/sites\/92\/2021\/03\/https-www.youtube.comwatchv4CO4WUo3JkMfeatureyoutu.be_.jpeg)\"><div class=\"et_pb_video_overlay_hover\"><a href=\"#\" class=\"et_pb_video_play\"><\/a><\/div><\/div><\/div>\n\t\t\t<\/div>\n\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\n\t\t\t<\/div><div class=\"et_d4_element et_pb_column_1_2 et_pb_column et_pb_column_9  et_pb_css_mix_blend_mode et-last-child et_block_column\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_module et_d4_element et_pb_text et_pb_text_8  et_pb_text_align_left et_pb_bg_layout_light\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_text_inner\"><h1 style=\"text-align: left\"><span style=\"font-weight: 400\"><strong>Caf\u00e9 Daughter<\/strong><\/span><\/h1><\/div>\n\t\t\t<\/div><div class=\"et_pb_module et_d4_element et_pb_text et_pb_text_9  et_pb_text_align_left et_pb_bg_layout_light\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_text_inner\"><p><span style=\"font-weight: 400\">This video is <\/span><span style=\"font-weight: 400\">Scene from Caf\u00e9 Daughter at Backstage Theatre<\/span><i><span style=\"font-weight: 400\">.Caf\u00e9 Daughter<\/span><\/i><span style=\"font-weight: 400\"> introduces the story of Yvette Wong, a nine year old girl of Chinese and Indigenous descent. The play follows her life in a small town in Saskatchewan during the 1950s where she faces racial discrimination as a result of her Indigenous and Chinese heritage. The play\u2019s script is based off of the life and history of the Cree Senator Lillian Dyck, and is a one woman show that features Inuit actor Tiffany Ayalik who portrays a total of thirteen characters within the play.\u00a0<\/span><\/p><\/div>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div><div class=\"et_d4_element et_pb_row et_pb_row_6  et_pb_css_mix_blend_mode et_block_row\">\n\t\t\t\t<div class=\"et_d4_element et_pb_column_1_2 et_pb_column et_pb_column_10  et_pb_css_mix_blend_mode et_block_column\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_module et_d4_element et_pb_video_slider et_pb_video_slider_2\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_slider et_pb_preload et_pb_slider_carousel et_pb_slider_no_pagination et_pb_controls_\">\n\t\t\t\t\t<div class=\"et_pb_slides\">\n\t\t\t\t\t\t<div class=\"et_d4_element et_pb_video_slider_item_2 et_pb_slide et_pb_bg_layout_dark\" data-image=\"https:\/\/www.huronresearch.ca\/chinese-indigenous-relations\/wp-content\/uploads\/sites\/92\/2021\/02\/Cedar-and-Bamboo-2008.jpg\">\n\t\t\t\t<div class=\"et_pb_video_wrap\"><div class=\"et_pb_video_box\"><iframe title=\"Cedar and Bamboo\" width=\"1080\" height=\"608\" data-src=\"https:\/\/www.youtube.com\/embed\/Io19r8vQOQ8?feature=oembed\"  allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" data-load-mode=\"1\"><\/iframe><\/div><div style=\"background-image:inherit\" class=\"et_pb_video_overlay lazyload\" data-bg-image=\"url(https:\/\/www.huronresearch.ca\/chinese-indigenous-relations\/wp-content\/uploads\/sites\/92\/2021\/02\/Cedar-and-Bamboo-2008.jpg)\"><div class=\"et_pb_video_overlay_hover\"><a href=\"#\" class=\"et_pb_video_play\"><\/a><\/div><\/div><\/div>\n\t\t\t<\/div>\n\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\n\t\t\t<\/div><div class=\"et_d4_element et_pb_column_1_2 et_pb_column et_pb_column_11  et_pb_css_mix_blend_mode et-last-child et_block_column\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_module et_d4_element et_pb_text et_pb_text_10  et_pb_text_align_left et_pb_bg_layout_light\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_text_inner\"><h1 style=\"text-align: left\"><b>Cedar and Bamboo (2008)-<span style=\"font-weight: 400\">Diana Leung and Kamala Todd<\/span><\/b><\/h1><\/div>\n\t\t\t<\/div><div class=\"et_pb_module et_d4_element et_pb_text et_pb_text_11  et_pb_text_align_left et_pb_bg_layout_light\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_text_inner\"><p><span style=\"font-weight: 400\">Cedar and Bamboo is a beautifully crafted documentary that highlights the unique relationships between Chinese immigrants and First nations peoples in the West coast of early Canada. It aims to acknowledge some of the experiences of mixed heritage (Chinese and Indigenous) descendants, by recounting the stories of four individuals and their difficult circumstances as they navigate(d) Canadian society in which both of their identities are considered \u201cother\u201d.<\/span><\/p><\/div>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div><div class=\"et_d4_element et_pb_row et_pb_row_7  et_pb_css_mix_blend_mode et_block_row\">\n\t\t\t\t<div class=\"et_d4_element et_pb_column_1_2 et_pb_column et_pb_column_12  et_pb_css_mix_blend_mode et_block_column\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_module et_d4_element et_pb_video_slider et_pb_video_slider_3\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_slider et_pb_preload et_pb_slider_carousel et_pb_slider_no_pagination et_pb_controls_\">\n\t\t\t\t\t<div class=\"et_pb_slides\">\n\t\t\t\t\t\t<div class=\"et_d4_element et_pb_video_slider_item_3 et_pb_slide et_pb_bg_layout_dark\" data-image=\"https:\/\/www.huronresearch.ca\/chinese-indigenous-relations\/wp-content\/uploads\/sites\/92\/2021\/03\/Larry-Grant-Not-Belonging.jpeg\">\n\t\t\t\t<div class=\"et_pb_video_wrap\"><div class=\"et_pb_video_box\"><iframe title=\"Larry Grant: Not Belonging (produced by CCS)\" width=\"1080\" height=\"608\" data-src=\"https:\/\/www.youtube.com\/embed\/VsoPvOnB9sA?feature=oembed\"  allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" data-load-mode=\"1\"><\/iframe><\/div><div style=\"background-image:inherit\" class=\"et_pb_video_overlay lazyload\" data-bg-image=\"url(https:\/\/www.huronresearch.ca\/chinese-indigenous-relations\/wp-content\/uploads\/sites\/92\/2021\/03\/Larry-Grant-Not-Belonging.jpeg)\"><div class=\"et_pb_video_overlay_hover\"><a href=\"#\" class=\"et_pb_video_play\"><\/a><\/div><\/div><\/div>\n\t\t\t<\/div>\n\t\t\t<div class=\"et_d4_element et_pb_video_slider_item_4 et_pb_slide et_pb_bg_layout_dark\" data-image=\"https:\/\/www.huronresearch.ca\/chinese-indigenous-relations\/wp-content\/uploads\/sites\/92\/2021\/02\/Childhood-Fears-of-Going-to-China-2014-Larry-Grant-Intertwining-Cultures-2012-Larry-Grant-Not-Belonging-2012.jpg\">\n\t\t\t\t<div class=\"et_pb_video_wrap\"><div class=\"et_pb_video_box\"><iframe title=\"Childhood Fears Of Going To China  (Larry And Howard Grant)  Chinese Canadian Historical Society\" width=\"1080\" height=\"608\" data-src=\"https:\/\/www.youtube.com\/embed\/Qcy7vIRe-G4?feature=oembed\"  allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" data-load-mode=\"1\"><\/iframe><\/div><div style=\"background-image:inherit\" class=\"et_pb_video_overlay lazyload\" data-bg-image=\"url(https:\/\/www.huronresearch.ca\/chinese-indigenous-relations\/wp-content\/uploads\/sites\/92\/2021\/02\/Childhood-Fears-of-Going-to-China-2014-Larry-Grant-Intertwining-Cultures-2012-Larry-Grant-Not-Belonging-2012.jpg)\"><div class=\"et_pb_video_overlay_hover\"><a href=\"#\" class=\"et_pb_video_play\"><\/a><\/div><\/div><\/div>\n\t\t\t<\/div>\n\t\t\t<div class=\"et_d4_element et_pb_video_slider_item_5 et_pb_slide et_pb_bg_layout_dark\" data-image=\"https:\/\/www.huronresearch.ca\/chinese-indigenous-relations\/wp-content\/uploads\/sites\/92\/2021\/03\/Larry-Grant-Intertwining-Cultures-produced-by-CSS-Youtube-uploaded-by-chinesecandianubc.jpeg\">\n\t\t\t\t<div class=\"et_pb_video_wrap\"><div class=\"et_pb_video_box\"><iframe title=\"Larry Grant: Intertwining Cultures (produced by CCS)\" width=\"1080\" height=\"608\" data-src=\"https:\/\/www.youtube.com\/embed\/7Bh3QidIVFU?feature=oembed\"  allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" data-load-mode=\"1\"><\/iframe><\/div><div style=\"background-image:inherit\" class=\"et_pb_video_overlay lazyload\" data-bg-image=\"url(https:\/\/www.huronresearch.ca\/chinese-indigenous-relations\/wp-content\/uploads\/sites\/92\/2021\/03\/Larry-Grant-Intertwining-Cultures-produced-by-CSS-Youtube-uploaded-by-chinesecandianubc.jpeg)\"><div class=\"et_pb_video_overlay_hover\"><a href=\"#\" class=\"et_pb_video_play\"><\/a><\/div><\/div><\/div>\n\t\t\t<\/div>\n\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\n\t\t\t<\/div><div class=\"et_d4_element et_pb_column_1_2 et_pb_column et_pb_column_13  et_pb_css_mix_blend_mode et-last-child et_block_column\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_module et_d4_element et_pb_text et_pb_text_12  et_pb_text_align_left et_pb_bg_layout_light\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_text_inner\"><h1 style=\"text-align: left\"><strong>Larry Grant<\/strong><\/h1><\/div>\n\t\t\t<\/div><div class=\"et_pb_module et_d4_element et_pb_text et_pb_text_13  et_pb_text_align_left et_pb_bg_layout_light\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_text_inner\"><p><span style=\"font-weight: 400\">Larry Grant is a Chinese-Indigenous individual from the Musqueam indigenous territory. This video series outlines the struggles of growing up as a Chinese-Indigenous individual in Canada. The first video <\/span><i><span style=\"font-weight: 400\">Not Belonging<\/span><\/i><span style=\"font-weight: 400\"> encounters Larry\u2019s struggles with the oppressive rules and regulations implemented by the Canadian government. Larry had experienced a loss of identity and place of belonging regarding his heritage. The second video in the series <\/span><i><span style=\"font-weight: 400\">Larry Grant: Intertwining Cultures<\/span><\/i><span style=\"font-weight: 400\">, examines the similarities of the Chinese and Musqueam Indigenous cultures. The third video <\/span><i><span style=\"font-weight: 400\">Childhood Fears of Going To China (Larry and Howard Grant)<\/span><\/i><span style=\"font-weight: 400\">, talks about how the Grant family feared the reconnection with their Chinese heritage, but eventually visited their fathers village in China reuniting their lost identity.<\/span><\/p><\/div>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div><div class=\"et_d4_element et_pb_row et_pb_row_8  et_pb_css_mix_blend_mode et_block_row\">\n\t\t\t\t<div class=\"et_d4_element et_pb_column_1_2 et_pb_column et_pb_column_14  et_pb_css_mix_blend_mode et_block_column\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_module et_d4_element et_pb_video_slider et_pb_video_slider_4\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_slider et_pb_preload et_pb_slider_carousel et_pb_slider_no_pagination et_pb_controls_\">\n\t\t\t\t\t<div class=\"et_pb_slides\">\n\t\t\t\t\t\t<div class=\"et_d4_element et_pb_video_slider_item_6 et_pb_slide et_pb_bg_layout_dark\" data-image=\"https:\/\/www.huronresearch.ca\/chinese-indigenous-relations\/wp-content\/uploads\/sites\/92\/2021\/02\/All-Our-Fathers-Relations2016-Alejandro-Yoshizawa.jpg\">\n\t\t\t\t<div class=\"et_pb_video_wrap\"><div class=\"et_pb_video_box\"><iframe title=\"VAFF20  All Our Fathers Relations Nov 6\" width=\"1080\" height=\"608\" data-src=\"https:\/\/www.youtube.com\/embed\/FZp6KGnfVLY?feature=oembed\"  allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" data-load-mode=\"1\"><\/iframe><\/div><div style=\"background-image:inherit\" class=\"et_pb_video_overlay lazyload\" data-bg-image=\"url(https:\/\/www.huronresearch.ca\/chinese-indigenous-relations\/wp-content\/uploads\/sites\/92\/2021\/02\/All-Our-Fathers-Relations2016-Alejandro-Yoshizawa.jpg)\"><div class=\"et_pb_video_overlay_hover\"><a href=\"#\" class=\"et_pb_video_play\"><\/a><\/div><\/div><\/div>\n\t\t\t<\/div>\n\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\n\t\t\t<\/div><div class=\"et_d4_element et_pb_column_1_2 et_pb_column et_pb_column_15  et_pb_css_mix_blend_mode et-last-child et_block_column\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_module et_d4_element et_pb_text et_pb_text_14  et_pb_text_align_left et_pb_bg_layout_light\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_text_inner\"><h1 style=\"text-align: left\"><b>All Our Father\u2019s Relations(2016) Alejandro Yoshizawa<\/b><\/h1><\/div>\n\t\t\t<\/div><div class=\"et_pb_module et_d4_element et_pb_text et_pb_text_15  et_pb_text_align_left et_pb_bg_layout_light\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_text_inner\"><p><i><span style=\"font-weight: 400\">All Our Father\u2019s Relations <\/span><\/i><span style=\"font-weight: 400\">follows the story of the Grant family on a journey to China from Vancouver to better understand their fathers Chinese heritage. The Grant siblings had been primarily raised in Musqueam where they practiced their mothers Musqueam Indigenous traditions. This documentary rediscovers the historical relations of the Chinese and Indigenous peoples in Canada, outlining issues of discriminatory laws and loss of identity as a result of growing up with Chinese-Indigenous heritage.<\/span><\/p><\/div>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div><div class=\"et_d4_element et_pb_row et_pb_row_9  et_pb_css_mix_blend_mode et_block_row\">\n\t\t\t\t<div class=\"et_d4_element et_pb_column_1_2 et_pb_column et_pb_column_16  et_pb_css_mix_blend_mode et_block_column\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_module et_d4_element et_pb_video_slider et_pb_video_slider_5\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_slider et_pb_preload et_pb_slider_carousel et_pb_slider_no_pagination et_pb_controls_\">\n\t\t\t\t\t<div class=\"et_pb_slides\">\n\t\t\t\t\t\t<div class=\"et_d4_element et_pb_video_slider_item_7 et_pb_slide et_pb_bg_layout_dark\" data-image=\"https:\/\/www.huronresearch.ca\/chinese-indigenous-relations\/wp-content\/uploads\/sites\/92\/2021\/08\/Masterclass-2017-Alejandro-Yoshizawa-All-Our-Fathers-Relations.jpeg\">\n\t\t\t\t<div class=\"et_pb_video_wrap\"><div class=\"et_pb_video_box\"><iframe title=\"Masterclass 2017: Alejandro Yoshizawa - All Our Father&amp;apos;s Relations\" width=\"1080\" height=\"608\" data-src=\"https:\/\/www.youtube.com\/embed\/9FHWhcaPbAw?feature=oembed\"  allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" data-load-mode=\"1\"><\/iframe><\/div><div style=\"background-image:inherit\" class=\"et_pb_video_overlay lazyload\" data-bg-image=\"url(https:\/\/www.huronresearch.ca\/chinese-indigenous-relations\/wp-content\/uploads\/sites\/92\/2021\/08\/Masterclass-2017-Alejandro-Yoshizawa-All-Our-Fathers-Relations.jpeg)\"><div class=\"et_pb_video_overlay_hover\"><a href=\"#\" class=\"et_pb_video_play\"><\/a><\/div><\/div><\/div>\n\t\t\t<\/div>\n\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\n\t\t\t<\/div><div class=\"et_d4_element et_pb_column_1_2 et_pb_column et_pb_column_17  et_pb_css_mix_blend_mode et-last-child et_block_column\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_module et_d4_element et_pb_text et_pb_text_16  et_pb_text_align_left et_pb_bg_layout_light\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_text_inner\"><h1><strong>Masterclass 2017: Alejandro Yoshizawa - All Our Father's Relations<\/strong><\/h1><\/div>\n\t\t\t<\/div><div class=\"et_pb_module et_d4_element et_pb_text et_pb_text_17  et_pb_text_align_left et_pb_bg_layout_light\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_text_inner\"><p><span style=\"font-weight: 400\">This video follows the journey of the filmmaker Alejandro Yoshizawa the director of <\/span><i><span style=\"font-weight: 400\">All Our Father\u2019s Relations. <\/span><\/i><span style=\"font-weight: 400\">Yoshizawa outlines the film-making process,\u00a0 highlighting how he had to use the narrative of memory in order to reflect the story of the Grant family. He hopes the film<\/span><i><span style=\"font-weight: 400\"> All Our Fathers Relations<\/span><\/i><span style=\"font-weight: 400\"> can initiate discussion and open questions about the forgotten histories of Canada.<\/span><\/p><\/div>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div><div class=\"et_d4_element et_pb_row et_pb_row_10  et_pb_css_mix_blend_mode et_block_row\">\n\t\t\t\t<div class=\"et_d4_element et_pb_column_1_2 et_pb_column et_pb_column_18  et_pb_css_mix_blend_mode et_block_column\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_module et_d4_element et_pb_video_slider et_pb_video_slider_6\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_slider et_pb_preload et_pb_slider_carousel et_pb_slider_no_pagination et_pb_controls_\">\n\t\t\t\t\t<div class=\"et_pb_slides\">\n\t\t\t\t\t\t<div class=\"et_d4_element et_pb_video_slider_item_8 et_pb_slide et_pb_bg_layout_dark\" data-image=\"https:\/\/www.huronresearch.ca\/chinese-indigenous-relations\/wp-content\/uploads\/sites\/92\/2021\/03\/Elder-in-the-Making-Episode-1-Cowboy-X.jpeg\">\n\t\t\t\t<div class=\"et_pb_video_wrap\"><div class=\"et_pb_video_box\"><iframe title=\"Elder in the Making | Episode 1: Cowboy X\" width=\"1080\" height=\"608\" data-src=\"https:\/\/www.youtube.com\/embed\/MYglFfTG0TE?feature=oembed\"  allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" data-load-mode=\"1\"><\/iframe><\/div><div style=\"background-image:inherit\" class=\"et_pb_video_overlay lazyload\" data-bg-image=\"url(https:\/\/www.huronresearch.ca\/chinese-indigenous-relations\/wp-content\/uploads\/sites\/92\/2021\/03\/Elder-in-the-Making-Episode-1-Cowboy-X.jpeg)\"><div class=\"et_pb_video_overlay_hover\"><a href=\"#\" class=\"et_pb_video_play\"><\/a><\/div><\/div><\/div>\n\t\t\t<\/div>\n\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\n\t\t\t<\/div><div class=\"et_d4_element et_pb_column_1_2 et_pb_column et_pb_column_19  et_pb_css_mix_blend_mode et-last-child et_block_column\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_module et_d4_element et_pb_text et_pb_text_18  et_pb_text_align_left et_pb_bg_layout_light\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_text_inner\"><h1 style=\"text-align: left\"><strong>Elder in the Making<\/strong><\/h1><\/div>\n\t\t\t<\/div><div class=\"et_pb_module et_d4_element et_pb_text et_pb_text_19  et_pb_text_align_left et_pb_bg_layout_light\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_text_inner\"><p><i><span style=\"font-weight: 400\">Elder in the Making<\/span><\/i><span style=\"font-weight: 400\"> follows Chinese Canadian Chris Hsiung and Blackfoot aboriginal Cowboy X on a trip to the traditional Blackfoot territory, where they discuss the shared culture and home of the Chinese and Indigenous people. This documentary re-discovers the indigenous traditions that have been oppressed in Canada's history, highlighting the stereotypes and racism faced by Indigenous groups. We are encouraged to participate in the lost history through the revival of culture and traditions.<\/span><\/p><\/div>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div><div class=\"et_d4_element et_pb_row et_pb_row_11  et_pb_css_mix_blend_mode et_block_row\">\n\t\t\t\t<div class=\"et_d4_element et_pb_column_1_2 et_pb_column et_pb_column_20  et_pb_css_mix_blend_mode et_block_column\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_module et_d4_element et_pb_video_slider et_pb_video_slider_7\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_slider et_pb_preload et_pb_slider_carousel et_pb_slider_no_pagination et_pb_controls_\">\n\t\t\t\t\t<div class=\"et_pb_slides\">\n\t\t\t\t\t\t<div class=\"et_d4_element et_pb_video_slider_item_9 et_pb_slide et_pb_bg_layout_dark\" data-image=\"https:\/\/www.huronresearch.ca\/chinese-indigenous-relations\/wp-content\/uploads\/sites\/92\/2021\/03\/National-Film-Board-of-Canada.-A-Tribe-of-One-National-Film-Board-of-Canada.jpeg\">\n\t\t\t\t<div class=\"et_pb_video_wrap\"><div class=\"et_pb_video_box\"><iframe title=\"VAFF20  All Our Fathers Relations Nov 6\" width=\"1080\" height=\"608\" data-src=\"https:\/\/www.youtube.com\/embed\/FZp6KGnfVLY?feature=oembed\"  allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" data-load-mode=\"1\"><\/iframe><\/div><div style=\"background-image:inherit\" class=\"et_pb_video_overlay lazyload\" data-bg-image=\"url(https:\/\/www.huronresearch.ca\/chinese-indigenous-relations\/wp-content\/uploads\/sites\/92\/2021\/03\/National-Film-Board-of-Canada.-A-Tribe-of-One-National-Film-Board-of-Canada.jpeg)\"><div class=\"et_pb_video_overlay_hover\"><a href=\"#\" class=\"et_pb_video_play\"><\/a><\/div><\/div><\/div>\n\t\t\t<\/div>\n\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\n\t\t\t<\/div><div class=\"et_d4_element et_pb_column_1_2 et_pb_column et_pb_column_21  et_pb_css_mix_blend_mode et-last-child et_block_column\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_module et_d4_element et_pb_text et_pb_text_20  et_pb_text_align_left et_pb_bg_layout_light\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_text_inner\"><h1 style=\"text-align: left\">A Tribe of One<\/h1><\/div>\n\t\t\t<\/div><div class=\"et_pb_module et_d4_element et_pb_text et_pb_text_21  et_pb_text_align_left et_pb_bg_layout_light\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_text_inner\"><p>This documentary follows Rhonda Larrabee on a quest to re-discover her Chinese- Indigenous heritage. Through a series of photographs and interviews, the documentary highlights how racism faced by Indigenous individuals compelled her mother to suppress her Indigenous heritage. Larrabee wishes that others can be educated about the lost Indigenous identity and culture, in hopes of preserving the Indigenous heritage that her mother was forced to hide.\u00a0<\/p><\/div>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":238,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","_mc_calendar":[],"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-59","page","type-page","status-publish","hentry"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 4.9.9 - aioseo.com -->\n\t<meta name=\"description\" content=\"Literature and Film This section unravels the oppression of Chinese-Indigenous identities in Canadian history. 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